Thursday, 5 June 2014 (Hall) : Tea and Coffee : Registration / Tea and Coffee

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1 Thursday, 5 June 2014 (Hall) : Tea and Coffee : Registration / Tea and Coffee : Welcome and Opening Remarks : Plenary: David Crystal OBE (University of Wales, Bangor) and Hilary Crystal - The Original Pronunciation (OP) Movement: the first ten years : Falstaff Martina Pranic (Freie Universität Berlin), The Rejection of Falstaff the Rejection of the Festival? Sam Hall (Royal Halloway), Falstaff, Munday and Mimetic Mendacity Chair: Sara Marie Westh Plenary: Tony Howard - Multicultural Shakespeare Lunch : Challenging Authority Malte Unterweg (The Shakespeare Institute), Never Fortune did play a subtler Game The Concept of Fortune in Shakespeare s Works Martin Young (The Shakespeare Institute), Gonzalo s Paradox: The Limits of the Political Imaginary Iman Sheena (University of Warwick), Were you the devil, I would hold youi sir : Domestic Tyranny and Servants Resistance in A Yorkshire Tragedy (1608) Plenary: Richard Buckley - Richard III Dig Shakespeare in Bollywood Koel Chatterjee (Royal Holloway), A Hindi Comedy of Errors Thea Buckley (The Shakespeare Institute), A film by any other name would smell sweeter: Ram-Leela, Bollywood s Banned Romeo and Juliet The Roaring Girl (The Swan Theatre) Thursday, 5 June 2014 (Annexe) Chair: Charlotte Horobin : Piety and Rebirth Amy Tollyfield (The Shakespeare Institute), Enter [ ] Hermione (like a Statue:) Rosemary Keep (The Shakespeare Institute), Now bless thyself: thou meetst with things/dying, I with things new-born - life, death and the portrait of the Saltonstall Family Chair: Ronan Hatfull : Brazilian Adaptations Fernanda Pinheiro Pedrecal (Universidade Federal da Bahia), Love s Labours Are Found in Brazil: Shakespeare s Comedy As A Contemporary Novel Diandra Sousa Santos (Universidade Federal da Bahia), The Merry Wives in Brazilian Cinema Chair: Régis Closel

2 16.40 International Adaptations of Shakespeare Marcel Alvaro de Amorim (Federal University of Rio de Janeiro/Aarhus University), Shakespeare and Brazilian Cinema: Notes on Hamlet in Foreign Territories Eleine Ng (The Shakespeare Institute), Oh Tae-Suk s Romeo and Juliet: Reinterpreting Love and Death through a Korean Context Chair: Paulo Gregório Friday, 6 June 2014 (Hall) Plenary: Ewan Fernie - Lighten Our Darkness : Tea and Coffee Thursday, 5 June 2014 (Reading Room) Island Powers Louis Osborne (The Shakespeare Institute), Shakespeare s Island: The Politics of Britain, the Ocean, and the World Sarah Waters (University of Buckingham), Sailing through Shakespeare to Aslan s Country: The Voyage of the Dawn Treader and The Tempest Keen for Kean Hannah Manktelow (University of Nottingham), The celebrated Infant Kean, only six years of age: Celebrity, novelty and innovation in nineteenth century provincial Shakespeare Sally Barnden (King s College London), A faithful mirror of the past : Charles Kean's Richard II and photographic theatre Renaissance Beasts Gerard Sargent (University of Leeds), not subject to a beast? : The Rejection of Exile in Timon of Athens Hannah Hickman (The Shakespeare Institute), We'll bait that men may bite fair : Blood Sports and Courtship in Early Modern Comedies Women and Men at War Joanne Brown (The Shakespeare Institute), Shakespeare s Helen of Troy on the British Stage Stephanie Tillotson (University of Warwick), Fiona, Phyllida and the F- word : Changing roles for women in Shakespeare Emma Poltrack (University of Warwick), The royal captain of this ruined band : Hegemonic Masculinity in Propeller s Henry V Chair: Ani Martirosyan Plenary: Grace Ioppolo - "'What, shall these papers lie like tell-tales here?': Using manuscripts on digital and social media to tell on Shakespeare" Lunch Performing Shakespeare Kate Alexander (The Shakespeare Institute), Acting as Possession: Experiments in Musicality and Song for Lady Macbeth Christopher Gleason (The Shakespeare Institute), Who is it that can tell me who I am? : Performing the Role of Lear Chair: Ani Martirosyan

3 Tea and Coffee Plenary: Simon Palfrey - Shakespeare at the Edge The Playhouse is the Thing Michelle Manning (Nottingham Trent University), Globe-al Dominance: The Globe and the rest David Amelang (Freie Universität Berlin), Webster and his Ignorant Asses: Playwriting Technique and Early Performance History of Three Jacobean Plays 20.00: Party (Mercure Shakespeare Hotel) Friday, Saturday, 6 June 7 June (Annexe) (Reading Room) : Cultural Appropriations of Shakespeare Ronan Hatfull (The Shakespeare Institute) I ll Teach You How to Flow : Custodians of Knowledge in Hip-Hop Shakespeare John Curtis (The Shakespeare Institute) Obi, or not Obi: William Shakespeare s (and Ian Doescher s) Star Wars Sara Marie Westh (The Shakespeare Institute), Starbucks Shakespeare Chair: Thea Buckley : Spooky Shakespeare Grace Eunhye Choi (The Shakespeare Institute), The Art of Devilish Show: Clowns, Marionettes, and Black Comedy in the Film Adaptations of Christopher Marlowe s Doctor Faustus Megan Holman (The Shakespeare Institute), Manufacturing the Incorporeal: Depicting the Supernatural in Contemporary Adaptation Chair: Hazel Stenner Reconstructing Early Modern Plays Nora Williams (University of Exeter), Re-reading the lost classic : Tony Richardson, The Changeling, and the Royal Court, 1961 Kath Bradley (The Shakespeare Institute), Staging Cardenio - the reconstruction of a lost play Friday, 6 June 2014 (Reading Room) Chair: Richard O Brien Appropriating Shakespeare for a Wider Audience Mackenzi Crouch (University of Birmingham), Well, we were born to die : Love, Death, and the Fluidity of Ending in Adaptations of Romeo and Juliet in Internet Short Film Miranda Thomas (King s College London), There is no sacred ground for the conquered : Richard III, from the House of York to House of Cards Historical Resonances on the Elizabethan Stage Ricardo Cardoso (Universidade de São Paulo), Affection s Men at Arms : Anglo-Spanish War ( ) and International Diplomacy in Love s Labour s Lost Régis Closel (Unicamp/The Shakespeare Institute/FAPESP) The Dissolution of the Monasteries in Elizabethan Plays Shakespeare and the Moderns Chair: Hester Bradley

4 Richard O Brien (The Shakespeare Institute), I Know My Clay : The Afterlives of Hamlet's Gravediggers in Contemporary French and English Songwriting Hester Bradley and Georgie Cockerill (The Shakespeare Institute), Writing Silence: The Turn of the Shrew Saturday, 7 June 2014 (Hall) : The Power of the Language Nora Gallard (University of Cambridge), Shakespeare s racist insults: the tragic dialectics of the insultor and the insulted Sarah-Kate Fletcher (The Shakespeare Institute), Jealous gardeners: A study of the metaphoric language of male anxiety and jealousy in Othello and The Winter s Tale Ani Martirosyan (The Shakespeare Institute), Love s Labour s Lost & Ludic Linguistics Charles Morton (The Shakespeare Institute), O ruined piece of nature : The disintegration of King Lear s authority in Harold Pinter s screenplay of King Lear Lunch Plenary: William Shakespeare and Others: Collaborative Plays. A round table discussion with Peter Kirwan (University of Nottingham) and Will Sharpe (The Shakespeare Institute) Tea and Coffee Closing Remarks and Prize-Giving Closing Reception (RST Upper Circle Bar) : Tea and Coffee Plenary: The RSC s Roaring Girls season. In conversation with Anna Marsland and David Rintoul Hamlet vs. Lear Emma de Beus (The Shakespeare Institute), Madness as a Green World: Shakespeare s unconventional use of green worlds in King Lear and Hamlet Paulo Gregório (The Shakespeare Institute), Experimenting with Shakespeare: Marowitz s Hamlet and Stoppard s Rosencrantz and Guildenstern are Dead Saturday, 7 June 2014 (Annexe) : Echoes of Shakespeare in Cultural Phenomena Alex Whiteley (The Shakespeare Institute), The Game s Afoot : Comparing the Afterlives of Shakespeare and Sherlock Holmes Becky Fensome (The Shakespeare Institute), How now minion : Despicable Me (2010), Despicable Me 2 (2013) and Shakespeare s Comedies

5 Haunting Hamlet Rachel Stewart (The Shakespeare Institute), What art thou that usurp st this time of night? : Interpreting King Hamlet s Ghost George Twigg (University of Exeter), A mote it is to trouble the mind s eye : Psychoanalysis of the Father, the Son, and the (un?)holy Ghost in Hamlet Chair: Kate Alexander Saturday, 7 June 2014 (Reading Room) Shakespearean Spaces of Performance Laura Nicklin (University of York), Make not your prisons your prisons: Perceptions of Shakespeare programmes as an alternative to juvenile incarceration Evelyn O Malley (University of Exeter), Staring at the scenery: Audiences responses to landscape at outdoor Shakespeares Stage Craft & Dramaturgy on the Renaissance Stage Callan Davies (University of Exeter), Is it really so strange? : Devising Moral Strangeness in Heywood s Age Plays Kim Gilchrist (King s College London), Imagine me, gentle spectator : Imbecilic influences on Shakespeare the professional playgoer Chair: Richard O Brien

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