THE ULTIMATE SOUND EXPERIENCE

Transcription

1 THE ULTIMATE SOUND EXPERIENCE

2 The best performers Klipsch Cinema and Stage Systems deliver an audio experience so lifelike, audiences have to hear them to believe them. Long a favorite of theater operators worldwide, we continue to innovate: our newest proprietary technology - the skew horn featured in our KPT-12-VB and KPT-8-VB cinema surround takes cinema sound reproduction to an entirely new level. Both the skew horn itself and the geometric shape of the horn are patented technologies resulting in expanded bandwidth of the coverage angle for more lifelike surround performance. are behind the screen. American-made Klipsch cinema speakers offer years of reliable and trouble-free performance and extraordinary wide, consistent coverage. Audiences have never heard dialogue so precise or digital soundtracks so stunningly detailed and immersive. From cavernous auditoriums to cozy cinemas, we ensure that your patrons enjoy their movie experience to the fullest. Discover what it means to be Keepers of the Sound.

3 KPT-MCM-4-T Grand KPT-74 KPT-44 Behind-the-Screen Systems 4-Way Horn Loaded System for the Grandest Auditoriums The first and only fully horn-loaded, THX -Approved four-way cinema system, the KPT-MCM-4-T Grand affords the ultimate in audio performance for larger exhibition spaces. The low frequency punch is provided by a KPT-MWM dual 1-inch high efficiency, horn-loaded woofer enclosure, aided by a separate single 8-inch Tractrix Horn-loaded mid-bass device, the KPT- 3 MB. High frequencies are effortlessly reproduced by the KPT-42-MF Tractrix Horn and Klipsch K-1133 two-inch exit titanium compression driver. The MCM Grand is ultra-efficient and, in correct multi-channel configuration, can yield absolutely even sound coverage to every seat in the house. The MCM-4 THX version is a quad-amp system designated the KPT-MCM-4-T. It is also available in non THX versions as a tri-amp configuration designated the KPT-MCM-4-N, and a bi-amp configuration utilizing the highly sophisticated N2 passive processors designated the KPT-MCM-4-N2. 4-Way Space Saving System for Grand Auditoriums Klipsch designed the new, four-way KPT-74 to deliver similar movie chills and thrills but from a much shallower cabinet. Less than 24 inches in depth, the KPT-74 system is perfect for larger theater venues with limited space behind the screen. The low-frequency punch is provided by the high efficiency KPT-41-LF quad 1-inch bass unit, aided by a separate, single 8-inch Tractrix Horn-loaded mid-bass device, the KPT-3-MB. The KPT-42-MF Tractrix Horn and K-1133 two-inch exit titanium compression driver effortlessly reproduce the system s mid frequencies. For the added kick that s required by grandiose locations, the KPT-Grand-HF-T extended high-frequency horn module easily handles the system s smooth treble reproduction. The KPT-74 is a quad-amp system. This powerful system is also available with a mid/high passive crossover for a tri-amp configuration and designated as the KPT-74-N, and a bi-amp configuration utilizing the highly sophisticated N2 passive processors designated the KPT-74-N2. 4-Way System for Medium Auditoriums Klipsch designed the four-way KPT-44 to amply deliver digital soundtracks for small- to medium-sized auditoriums. Designed to be used in a quad-amp configuration, the KPT-9-4LF double 1-inch low-frequency system, works in conjunction with the KPT-42-MF. The high frequency section utilizes the proven KPT- 94-HF while the ultra highs are delivered by the K-73 horn and a 1.7-inch titanium diaphragm. This high/ultra high tractix horn is labeled the KPT-44-UHF/HF. The KPT-44 is a quadamp system but can also be bi-amped utilizing the N2 passive processors designated KPT-44-N2 3-Way Horn Loaded System for Medium to Large Auditoriums With auditorium space at a premium, the Jubilee lowfrequency device with its 24-inch depth, is the ultimate space-saving solution. Developed by audio pioneer Paul W. Klipsch in 21, this dual 12-inch loudspeaker system couples the horn-loaded woofers with the KPT-42-MF mid-frequency Tractrix Horn and the Klipsch K-1133 two-inch exit titanium compression driver. The high frequencies are easily handled by the KPT-Grand-HF-N Tractrix Horn. The KPT-Jubilee 3-N is a three-way system available only in bi-amp configuration. 3-Way Extended Bass System for Medium to Large Auditoriums This THX-Certified system is an enhanced version of the KPT- 3-T, with a KPT-41-LF quad 1-inch direct-radiating bass unit for greater output in large auditoriums. Yet it retains the smaller system s 24-inch depth, minimizing the valuable theater space consumed by the area behind the screen. The dialogue range is superbly handled by a KPT-42-MF Tractrix Horn fronting a K-1133 two-inch exit titanium compression driver. And, a KPT- Grand-HF-T Tractrix Horn ensures smooth, effortless treble reproduction. The THX version is a tri-amp system designated the KPT-3-4-T. It is also available in non THX versions as a bi-amp configuration designated the KPT-3-4-N, and a monoamp configuration utilizing the highly sophisticated N2 passive processors designated the KPT-3-4-N2. 3-Way Standard System for Medium to Large Auditoriums THX-Approved, the KPT-3-T, with its 24-inch depth, allows for more real estate where it matters in the auditorium. Embracing the concept of a threeway, direct radiated bass system in a behind-the-screen application, the KPT-3-T utilizes the KPT- 94-LF double, 1-inch lowfrequency system. Reproducing the critical dialogue range is the KPT-42-MF Tractrix Horn coupled to the Klipsch K-1133 two-inch exit titanium compression driver. The high frequencies are easily handled by the KPT-Grand-HF-T Tractrix Horn. The THX version is a tri-amp system designated the KPT-3-T. It is also available in non THX versions as a bi-amp configuration designated the KPT-3-N, and a mono-amp configuration utilizing the highly sophisticated N2 passive processors designated the KPT-3-N2. KPT-Jubilee 3-N KPT-3-4-T KPT-3-T

4 KPT-43-N KPT-33-N KPT T 3-Way Bi-amp or Mono-amp System for Small to Medium Auditoriums As the first complete three-way passive behind-the-screen system on the market, the KPT-43-N affords the ultimate in audio performance for small-and medium-sized venues. Less than 2 inches in depth, it is also one of the most space saving speakers in its performance category. Based on the proven KPT-94-LF dual 1-inch bass unit, the KPT-43-N delivers powerful bass from a shallow cabinet that is just 17.7 inches deep. In order to reproduce the critical dialogue range, this system also features the new KPT-33 HF/MF-N, which consists of a K-1 Tractrix Horn, two-inch throated compression driver and the K-73 horn with a 1.7-inch titanium diaphragm. It is perfect for exhibitors who want to utilize a bi-amp configured three-way system in their auditoriums; or a fully passive threeway mono-amp configuration by simply changing the wiring on the crossover network. 3-Way Bi-amp or Mono-amp System for Small Auditoriums Unlike many three-way behind-the-screen systems, the KPT-33-N is 12.2 inches in depth, making it one of the most compact performers in its class. Engineered to save space and deliver superior sound to smaller-sized venues, the KPT-33-N serves as a highoutput single 1-inch three-way system. It features the KPT-31-LF for enhanced bass output and the same KPT-33 HF/MF-N configuration as the larger KPT-43-N for improved speech intelligibility. This system also utilizes a passive network for bi-amp configuration; or a fully passive three-way mono-amp configuration by simply changing the wiring on the crossover network. 2-Way Bi-amp Extended Bass System for Medium to Large Auditoriums The THXCertified KPT T two-way bi-amp screen and stage loudspeaker system is based on the KPT-41-LF quad 1-inch bass unit, providing enhanced bass output, while retaining the 24-inch depth of smaller systems. Higher frequencies are handled by a KPT-42-HF Tractrix Horn with a K-1132 two-inch exit titanium compression driver. The KPT T s high efficiency, very high output and excellent coverage characteristics make it an outstanding, cost-effective solution for medium and large auditoriums. 2-Way System for Medium Auditoriums The KPT-942-T is a THXcertified high-performance two-way bi-amp screen and stage loudspeaker system well suited for medium-sized auditoriums. Based on the proven KPT-94-LF dual 1-inch bass unit, it delivers powerful bass from a cabinet just 24 inches deep. For high output combined with excellent coverage, the system uses a KPT-42-HF Tractrix Horn with a K inch exit titanium compression driver to reproduce mid and high frequencies. This system is also available with a passive network in a non THX mono-amp version designated the KPT-942-N. 2-Way Bi-amp System for Small to Medium Auditoriums A mid-sized screen and stage loudspeaker system, the KPT- 94 is is a bi-amp configuration especially suited for stadium seating. An advanced technology Tractrix Horn, the KPT-94- HF is mated to a 2-inch exit titanium compression driver and, together with the KPT-94-LF dual, 1-inch, lowfrequency cabinet, delivers sensational performance and accurate coverage control, all at a remarkable price. This system is also available with a passive network for mono-amp configuration designated the KPT-94-N. Economical 2-Way Mono-amp System for Small to Medium Auditoriums The new KPT-92-N2 is an entry level two-way mono-amp screen speaker system for medium size auditoriums where cost effectiveness is the primary objective. The highly sophisticated N2 passive processors assure optimal performance between components. Utilizing the new, larger KPT-92-LF cabinet and the new KPT-92-HF horn, the extended low frequency response provides enough power for Klipsch's legendary sound in midsized cinemas. KPT-942-T KPT-94 KPT-92-n2

5 KPT-32 2-Way Bi-amp System for Small Auditoriums Engineered to save space, the KPT-32 is only 12 inches in depth and is a bi-amp configuration. The system features the KPT-31-LF single 1-inch woofer enclosure coupled with the KPT-94-HF Tractrix Horn. Amazingly, this compact combination delivers the same frequency response as the KPT-94 system. This system is also available with a passive network for mono-amp configuration designated the KPT-32-N. KPT-31-n2 Economical 2-Way Mono-amp System for Small Auditoriums The new KPT-31-N2 is an entry level two-way mono-amp screen speaker system for smaller size auditoriums where cost effectiveness is the primary objective. The highly sophisticated N2 passive processors assures optimal performance between components. Utilizing the new KPT- 31-LF cabinet and new KPT-31-HF horn, this low cost system's performance maintains all the characteristics of Klipsch's legendary sound in smaller cinemas. N2 PASSIVE PROCESSORS The highly sophisticated N2 passive processors were developed as an option to reduce the number of amplifiers required for screen speaker systems and to provide reliable plug-and-play operation out of the box. Much more than just a crossover, the N2 passive processors combine steep slope and in phase crossover technology with perfect level matching and time alignment between components that results in speakers that require little to no EQ to obtain the SMPTE/ISO 2969 X-Curve. They provide mono-amp operation with Klipsch 2-way and 3-way systems, and bi-amp operation with the largest 4-way systems. There is no loss of performance with these sophisticated passive processors, just perfectly tuned, reliable and repeatable operation with much less electronics.

6 Surrounds KPT-2 KPT-121 KPT-81 A 12-inch, three-way cinema surround loudspeaker system, the KPT-2 offers high power handling, extreme efficiency and extended bass response. It s 9 by 6 coverage pattern makes this the ultimate side surround speaker for larger auditoriums as well as for 7.1 rear surround channels. The system features Tractrix Horn technology, a 1 down-firing angle, a.7-inch void-free plywood enclosure pre-drilled for industry standard mounting brackets and a highfrequency protection circuit. The KPT-121 is a THX-Certified cinema surround speaker system that delivers extended bass response, controlled coverage and standard SMPTE/ISO 2969 X-curve deemphasis from an enclosure designed not to appear bulky. Its 12-inch woofer and 1.7-inch titanium high-frequency compression driver coupled to a 1 x 1 Tractrix Horn accurately reproduce the enormous dynamic range demanded by digital sound formats. A protection circuit guards the tweeter from potentially damaging signal levels. The enclosure angles the drivers downward at a 1 angle and is pre-drilled for industry-standard mounting brackets. THX-certified, this two-way cinema surround loudspeaker system offers high efficiency, controlled coverage and standard SMPTE/ISO 2969 X-curve de-emphasis. It features a single high-output, 8-inch woofer and a high-frequency compression driver coupled to a 1 x 1 Tractrix Horn. The shallow enclosure angles the drivers downward at a 1 angle and is pre-drilled for industry-standard mounting brackets. The system also incorporates a high-frequency protection circuit to safeguard the tweeter. The CA-8-T compact full-range system works well in professional cinema surround applications where flexible mounting and extended range are required. It includes a high-power 8-inch extended low-frequency driver and a titanium diaphragm compression driver mated to a 9 x 9 Tractrix Horn. This dual port bass-reflex loudspeaker can also handle 1 watts of continuous power for an AES sensitivity of 96dB. The CA-8-T ships complete with a mounting bracket. The Klipsch KPT-12-VB with Virtual Boundary Array Technology (VBAT) permits a % reduction in the required number of surround speakers typically used in today s conventional surround channel array. This exciting new technology uses a pair of our patented skewed horns in a side by side configuration that provides coverage in excess of 1 in the horizontal. These new horns also have a tighter 6 vertical pattern for greater distance throw which is better suited to today s wider auditoriums. The large voice coil 12-inch woofer and pair of 1.7-inch titanium diaphragm compression drivers give the KPT-12-VB truly prodigious power handling. When combined with 1dB sensitivity, the result is truly effortless reproduction of the tremendous dynamic range present in today s digital sound tracks. The KPT-12-VB incorporates the standard SMPTE/ISO 2969 X-curve into its response and is capable of a solid 4Hz response, further enhancing the realism in the digitally mastered effects channels. Doubling up the VBAT design to the normal number of surround speakers truly produces a wall of sound in the auditorium. The Klipsch KPT-8-VB also features VBAT for a % reduction in the number of surround speakers needed in a conventional surround channel array. Two skewed horns are arranged side by side to provide coverage in excess of 1 in the horizontal. These new horns also have a tighter 6 vertical pattern for greater distance throw. The KPT- 8-VB has an 8-inch woofer and 1-inch compression drivers. Doubling up the VBAT design to the normal number of surround speakers truly produces a wall of sound in the auditorium. CA-8-T KPT-12-VB KPT-8-VB

7 KPT-884 KPT-43-MS The new KPT-43-MS was developed as a full range point source surround speaker to be mounted in the rear corners of the auditorium similar to other large screen formats. Based on the tried and true KPT-43-N, all the components are mounted in the low frequency cabinet and it is reinforced to be hung for mounting. The KPT-43-MS can be used as a monopoint full range surround speaker or to augment a conventional surround array for the best of both surround speaker approaches. Subwoofers Capable of delivering an earth-shaking low frequency of 18Hz, the KPT-884 is a high-output, bass-reflex cinema subwoofer that features an advanced low-frequency 4-inch voice coil driver design. Less than 23 inches in depth, this system utilizes a single 18-inch driver that gains its high efficiency through the use of large, geometrically optimized structures and lightweight cones. KPT-684 THX-Approved, the KPT-684 is a high-quality subwoofer system that features an advanced lowfrequency driver design inside a bassreflex enclosure for smooth response to the lowest audible frequencies. The system utilizes two 18-inch drivers that gain their amazing 1dB sensitivity through the use of large, geometrically optimized magnet structures and lightweight cones. KPT-418 With a depth of only 11 inches, the KPT-418 cinema subwoofer is even more compact than the KPT-884. This high-output, bass-reflex subwoofer system delivers true low-frequency performance along with high power handling capability and high efficiency. It can be used as the main subwoofer system in a small auditorium or as the subwoofer for surrounds in small- to medium-sized auditoriums.

8 SPECIFICATIONS BEHIND-THE-SCREEN SYSTEMS System Components/ Sensitivity 3 Coverage KPT-MCM-4-T Grand 4Hz-19kHz ± 3Hz LF: KPT-MWM-LF - 4 watts cont. / 16 watts peak per woofer MB: KPT-3-MB 2 watts cont./ 8 watts peak MF: KPT-42-MF - watts cont. / 2 watts peak HF: KPT-Grand HF-T - watts cont. / 2 watts peak 18dB Horizontal 8 ± 2 2Hz-16kHz Vertical ± 3Hz-16kHz 98 (248.92cm) 67.2 (17.8cm) 4 (114.3cm) 31 lbs. (241.6kg) KPT-74 43Hz-19kHz ± 26Hz LF: KPT-41LF - 8 watts cont. / 32 watts peak per woofer pr. MB: KPT-3-MB 2 watts cont./ 8 watts peak MF: KPT-42-MF - watts cont. / 2 watts peak HF: KPT-Grand HF-T - watts cont. / 2 watts peak 17dB Horizontal 8 ± 2 2Hz-16kHz Vertical ± 3 3Hz-16kHz 114. (29.83cm) 41. (1.41cm) 23.7 (3cm) 413 lbs. (187.9kg) KPT-44 4Hz-19kHz ± 32Hz LF: KPT-94-LF - 4 watts cont. / 16 watts peak per woofer MF: KPT-42-MF - watts cont. / 2 watts peak HF: KPT-44-UHF/HF - watts cont. / 2 watts peak 14dB Horizontal 9 ± 2 2Hz-16kHz Vertical 6 ± 2 4Hz-16kHz 9. (229.8cm) 39.7 (1.9cm) 23.7 (3cm) 233 lbs. (1.9kg) KPT-Jubilee 3-N 4Hz-19kHz ± 34Hz LF: KPT-KJF-LF - 2 watts cont. / 8 watts peak per woofer MF: KPT-42-MF - watts cont. / 2 watts peak HF: KPT-Grand HF-T - watts cont. / 2 watts peak 1dB Horizontal 9 ± 2 2Hz-18kHz Vertical 6 ± 2 6Hz-19kHz 77.7 (197.cm) 41. (1.41cm) 24.2 (61.6cm) 26 lbs. (12.6kg) KPT-3-4-T 43Hz-19kHz ± 26Hz LF: KPT-41LF - 8 watts cont. / 32 watts peak per woofer pr. MF: KPT-42-MF - watts cont. / 2 watts peak HF: KPT-Grand HF-T - watts cont. /2 watts peak 17dB Horizontal 9 ± 3 2Hz-16kHz Vertical 6 ± 3 3Hz-16kHz 86 (218.44cm) 39.7 (1.97cm) 23.7 (3cm) 28 lbs. (129.7kg) KPT-3-T 4Hz-19kHz ± 32Hz LF: KPT-94-LF - 4 watts cont./ 16 watts per woofer MF: KPT-42-MF - watts cont./ 2 watts peak HF: KPT-Grand HF-T - watts cont./ 2 watts peak 14dB Horizontal 9 ± 2 2Hz-16kHz Vertical 6 ± 2 4Hz-16kHz 8. (24.47cm) 39.7 (1.97cm) 23.7 (3cm) 22 lbs. (1.1kg) KPT T 43Hz-18kHz ± 26Hz LF: KPT-41LF - 8 watts cont. / 32 watts peak per woofer pr. HF: KPT-42-HF - watts cont. / 2 watts peak 17dB Horizontal 9 ± 3 2Hz-14kHz Vertical 6 ± 3 3Hz-18kHz 76 (193.4cm) 39.7 (1.97cm) 23.7 (3cm) 26 lbs. (118kg) KPT-942-T 4Hz-18kHz ± 32Hz LF: KPT-94-LF - 4 watts cont./ 16 watts peak per woofer HF: KPT-42-HF - watts cont./ 2 watts peak 14dB Horizontal 9 ± 2 2Hz-14kHz Vertical 6 ± 2 4Hz-18kHz 7. (179.7cm) 39.7 (1.97cm) 23.7 (3cm) 19 lbs. (88.kg) KPT-94 4Hz-19kHz 32Hz LF: KPT-94-LF - 4 watt cont./ 16 watts peak per woofer HF: KPT-42-HF - watts cont./2 watts peak 14dB Horizontal 9 ±2 2Hz-14kHz- Vertical 6 ±2 2kHz-19kHz." (14.97cm) 27.2" (69.22cm) 17.7" (4.1cm) 16 lbs.(71kg) 1. Frequency response behind a screen with horn equalization applied 2. Power Rating: AES standard pink noise, 6dB peaks 3. SPL at 1M, half-space anechoic with 2.83V input SUBWOOFERS KPT-32 KPT-33-N KPT-43-N KPT-92-N2 KPT-31-N2 KPT-884 KPT-684 KPT-418 System Components/ Hz-19kHz ± 42Hz LF: KPT-31-LF - 4 watts cont./ Hz-2kHz ± 3dB, 42Hz LF: KPT-31-LF - 4 watts cont./ Hz-2kHz ± 3dB, 42Hz LF: KPT-94-LF - 4 watts cont./ 48Hz-2kHz ± 3dB LF: KPT-92-LF - watts cont/ 2 2Hz-2kHz ± 3dB LF: KPT-31-LF - 2 watts cont/ 27Hz-24Hz ± 3dB 18Hz1.2kHz -1dB 36Hz-8Hz ± 3dB 2Hz2.2kHz -1dB 38Hz-1Hz ± 3dB 26Hz2.2kHz -1dB 16 watts peak 16 watts peak 16 watts peak per woofer watts peak 1 watts peak 12 watts (92V) 2-2Hz 6 watts (6V) per woofer 2-2Hz 6 watts (47V) 2Hz-2Hz HF: KPT-94-HF - watts HF: KPT-33-HF/MF-N - watts HF: KPT-33-HF/MFN - watts HF: KPT-31-HF - watts cont/ 22 HF: KPT-31-HF - watts cont/ Calc. Max. Cont. Output 3 128dB 132dB cont./2 watts peak cont./ 2 watts peak cont./ 2 watts peak watts peak 22 watts peak Sensitivity 4 98dB 1dB 11dB Sensitivity 3 Coverage 12dB Horizontal 8 ± 2 4Hz-18kHz 12dB Horizontal 9 ± 2 1kHz-16kHz 14dB Horizontal 9 ± 2 1kHz-16kHz 12dB Horizontal: 9 ± 3 4Hz-18kHz 1dB Horizontal: 9 ± 3 Hz-18kHz Nominal Impedance 8 ohms (7.2 23Hz) 8 ohms (3.6 22Hz) woofers wired in parallel 8 ohms ( Hz) Vertical 6 ± 2 2kHz-19kHz. (128.27cm) 12.2 (31.1cm) Vertical 6 ± 2 2kHz-19kHz 7.7 (146.69cm) 12.2 (31.1cm) Vertical 6 ± 2 2kHz-19kHz 62.7 (19.4cm) 27.2 (69.2cm) 17.7 (4.1cm) Vertical: 6 ± 3 4Hz-2kHz." (14.97cm) 27.2" (69.21cm) 17.7" (4.8cm) Vertical: 6 ± 3 2kHz-2kHz." (14.97cm) 27.2" (69.21cm) 12.2" (31.1cm) Transducers Input Connectors One K woofer 49.7 (127cm) 3.7 (9.8cm) Two K-47-EP2 18 woofers 48.7 (123.83cm) 23. (9.7cm) One K-49-EP2 18 woofer 43.7 (111.13cm) 4.7 (13.cm) 111 lbs. (.kg) 122 lbs. (.kg) 1. Frequency response behind a screen with horn equalization applied 2. Power Rating: AES standard pink noise, 6dB peaks 3. SPL at 1M, half-space anechoic with 2.83V input Some product specifications are preliminary and subject to change. 167 lbs. (76kg) 1 lbs (7.3 kg) 1 lbs (4.4kg) 22. (7.1cm) 14 lbs. (64kg) 3. (77.47cm) 1 lbs. (7kg) 11. (27.94cm) 119 lbs. (4kg) 1. 3M, Half-space anechoic 2. AES Standard, continuous pink noise 4Hz-1kHz, 6dB peaks 3. Calculated at 1M half-space at power handling power input 4. SPL at 1M, half-space anechoic with 2.83V input Some product specifications are preliminary and subject to change.

9 SURROUNDS KPT-2 7Hz-19kHz ± 3dB KPT Hz-17kHz ± 3dB KPT-81 72Hz-17kHz ± 3dB CA-8-T 64Hz-17.kHz ± 4dB KPT-12-VB 48Hz-19kHz ± 3dB KPT-8-VB Hz-2kHz ± 3dB KPT-43-MS 4Hz-2kHz ± 3dB Calc. Max. Cont. Output 3 Sensitivity 4 Coverage 2Hz-2kHz -1dB 2 watts (38V) 4Hz-1kHz 123dB 11dB Horizontal 9 +/-4 4-2kHz 46Hz-2kHz -1dB 2 watts (31V) 4Hz-1kHz 12dB 99dB Horizontal 1 +3 /-4 6Hz-18kHz Hz-2kHz -1dB 1 watts (21V) 4Hz-1kHz 114dB 97dB Horizontal 1 ± 3 6Hz-16kHz 47Hz-2kHz -1dB 1 watts (21V) 4Hz-1kHz 113dB 96dB Horizontal 8 ± 4 1.2kHz-2kHz 37Hz-21kHz -1dB 4 watts (4V) 4Hz -1kHz 123dB 1dB Horizontal 14 ± 3 2Hz-2kHz 46Hz-23kHz -1dB 2 watts (28V) 4Hz-1kHz 118dB 98dB Horizontal 13 ± 3 2Hz-2kHz 32Hz 4 watts/8v 13dB 14dB Horizontal 9+/-2 1KHz- 16kHz DI Q Nominal Impedance Transducers Vertical 6 +/- 3 3kHz-2kHz 8dB +/-3dB 1.6kHz-2kHz 8 ohms (3 8kHz) One K-42-EPK 12 woofer Vertical 1 +3 /- 7Hz-18kHz 7dB ± 2dB 4Hz-18kHz 8 ohms (4.76 1Hz) One K-28-EP 12 woofer Vertical /-7 9Hz-2kHz 7dB ± 2dB Hz-2kHz 8 ohms (4.47 2Hz) One K-8-EP 8 woofer Vertical 9 ± 3 1kHz-2kHz 7dB ± 2.dB 7Hz-2kHz 8 ohms (4. 167Hz) One K-1183-A 8 woofer Vertical 6 ± 2 22Hz 2kHz 7dB ± 2dB 3Hz 2kHz 8 ohms (3.96½ 9Hz) One K-281-EP 12 woofer Vertical 6 ± 2 22Hz-2kHz 7dB ± 2dB 4Hz-2kHz 8 ohms (4. 17Hz) One K-81-EP 8" woofer Vertical 6 +/- 2 2kHz - 19kHz 8dB +/-2dB Hz - 19kHz 8 Ohms, minimum 3.8 Ohms at 1Hz Two K-4-EP 1" woofers One K-66-E 2 titanium diaphragm One K-7-G 1.7 titanium diaphragm One K-13-TI-KP 1 titanium diaphragm One K-1-A 1 compression driver/ Two K-7-G 1.7 titanium diaphragm Two K-13-TI-KP 1" titanium diaphragm K-69-A Compression driver on a K-1 horn on MF compression driver compression driver on a K-81 horn compression driver on a K-82 horn horn assembly compression drivers, on K-76 cinema compression drivers, on K-77 cinema K-7-G Compression driver on a K-73 horn on HF Input Connectors One K-792-KP 1 diaphragm compression driver 2 (63.cm) 16 (4.6cm) 1. (39.37cm) Spring-loaded terminals (7.468cm) 17.2 (43.82cm) 13.2 (33.66cm) Top Spring-loaded terminals 18.7 (47.63cm) 1.62 (39.69cm) 1 (2cm) Top (28.3cm) 17 (41.6cm) (31.4cm) skewed horns. Two point barrier strip 22. (7.1cm) 23. (9.69cm) 13 (33.2cm) Top skewed horns. Two point barrier strip (49.8cm) 19. (49.3cm) 12" (3.48cm) Top Two point barrier strip 27.2 (69.92 cm) 42.2 (17.32 cm) 17.7 (4.9 cm) 6 lbs. (27kg) (13cm) Bottom 42 lbs. (19kg) 4.8 (12cm) Bottom 27 lbs. (12kg) 18 lbs. (8kg) 7 (17.78cm) Bottom 3 lbs. (24.9kg) 6.7" (17.78cm) Bottom 32 lbs. (14.2kg) 14 lbs (6.9 kg) / 18 lbs (71.66 kg) *Frequency response behind a screen with horn equalization applied. LOW-FREQUENCY DRIVERS Calc. Max. Cont. Output 3 Sensitivity 4 Coverage DI Q Nominal Impedance Transducers Input Connectors KPT-MWM-LF 4Hz-4Hz ± 4dB 3Hz-Hz -1dB 4 watts (49V) per woofer 4Hz-4Hz 133dB 18dB Horizontal 8 ± 2 2Hz-7Hz Vertical ± 3 3Hz-1kHz 9dB ± 1dB 2Hz-7Hz ohms (3 14Hz) woofers wired in parallel Two K-43-EP 1 woofers 32.2 (81.9cm) 67.2 (17.8cm) 4 (114cm) 318 lbs. (144kg) KPT-KHJ-LF 4Hz-8Hz ± 4dB 34Hz-1kHz -1dB 2 watts (4.V) per woofer 4Hz-8Hz 128dB 1dB Horizontal 9 ± 2 2Hz-1kHz Vertical 9 ± 2 2Hz-6Hz 8dB ± 2dB 2Hz-8Hz 8 ohms (4.1 12Hz) woofers wired in parallel Two K-18-KP 12 woofers 4. (11.6cm) 41. (1cm) 24. (62.23cm) 18 lbs. (82kg) KPT-94-LF 4Hz-1.kHz ± 3dB 32Hz-2kHz -1dB 4 watts (8V) per woofer 4Hz-8Hz 13dB 14dB Horizontal 9 ± 2 2Hz-1.kHz Vertical 6 ± 2 4Hz-1.kHz 7dB ± 2dB 2Hz-1kHz 8 ohms (4.2 1Hz) woofers wired in parallel Two K-4-EP 1 woofers 43.2 (19.8cm) 17.7 (4.1cm) 13 lbs. (61kg) KPT-31-LF Hz-1.3kHz ± 3dB 42Hz-2.kHz -1dB 4 watts (4V) 4Hz-8Hz 12dB Horizontal 11 ± 3 3Hz-1.7kHz Vertical 12 ± 3 3Hz-1kHz 6dB ± 1dB 1Hz-1kHz 4 8 ohms (4 18Hz) One K-48-EP 1 woofer 38.2 (97.16cm) 12.2 (31.1cm) 9 lbs. (41kg) KPT-41-LF 43Hz-7Hz ± 3dB 26Hz-9Hz -1dB 8 watts (8V) per woofer pair 4Hz-8Hz 133dB 17dB Horizontal 9 ± 3 2Hz-1kHz Vertical 6 ± 3 3Hz-3kHz 8dB ± 2dB 2Hz-6Hz 8 ohms (4 1Hz) per woofer pair Top and bottom woofer in parallel and middle pair in parallel Four K-4-EP 1 woofers Barrier Strip 48.7 (123.83cm) 3.7 (9.8cm) 22. (7.1cm) 2 lbs. (91kg) KPT-92-LF 48Hz-1.2kHz ± 3dB watts (48 V) Hz - Hz 12dB Horrizontal 1 deg ± 3 2Hz-1.kHz Vertical 6 deg ± 3 4Hz-1.2kHz 7dB ± 2dB 2Hz - 1kHz 8 ohms (7 min at 1 Hz) Two K-33-E woofers 43.2" (19.8cm) 27.2" (69.21cm) 17.7" (4.8cm) 14 lbs (63.kg) KPT-31-LF 2Hz-1.2kHz ± 3dB 2 watts (36 V) Hz - Hz 121dB 1dB Horrizontal 11 deg ± 3 3Hz-1.kHz Vertical 11 deg ± 3 3Hz-1kHz 6dB ± 1dB 1Hz - 1kHz 4 8 ohms (4 min at 1 Hz) One K-33-E 38.2" (97.1cm) 27.2" (69.21cm) 12.2" (31.11cm) 8 lbs (38.6kg) Some product specifications are preliminary and subject to change. Some product specifications are preliminary and subject to change.

10 MID-FREQUENCY DRIVERS Calc. Max. Cont. Output 3 Sensitivity 4 Coverage DI Q Nominal Impedance Transducers Input Connectors KPT-3-MB 1Hz-9Hz +/-3dB, 2 watts (32 V) 1-1Hz 126dB 1dB Horizontal 9 +/-1 22Hz-14kHz Vertical 6 +/-1 6Hz-18kHz 8dB ± 2dB 2Hz-1.6kHz 8 ohms (.4 2Hz) One K-81-EP woofer on a K-42 Horn 28. (72.39cm) 41. (1.41cm) 23.2 (9.6cm) 8 lbs. (38.6kg) KPT-44-MF 62Hz-19kHz ± 3dB watts (2V) 8Hz-8kHz 18dB Horizontal 9 ± 2 1K-16kHz Vertical 6 ± 2 2kHz-19kHz 8dB ± 2dB 1kHz-2kHz 8 ohms ( kHz) One K-69-A 2.7 titanium diaphragm compression driver on a K-1 horn 39." (1.33cm)w/KPT-44-HF and mounting board 39.7 (1.97cm) 7.7 (19.69cm) 38 lbs. (17.2kg) KPT-42-MF 3Hz-1kHz ± 3dB watts (2V) 4Hz-4kHz 128dB 111dB Horizontal 9 ± 1 22Hz-14kHz Vertical 6 ± 1 6Hz-18kHz 8dB ± 2dB 2Hz-14kHz 8 ohms (7. Hz) One K titanium diaphragm compression driver on a K-42 horn 39.7 (1.97cm) 23.7 (3cm) 6 lbs. (27.2kg) KPT-33-MF 62Hz-19kHz ± 3dB watts (2V) 8Hz-8kHz 18dB Horizontal 9 ± 2 1kHz-16kHz Vertical 6 ± 2 2kHz-19kHz 8dB ± 2dB 1kHz-2kHz 8 ohms ( kHz) One K-69-A 2.7 titanium diaphragm compression driver on a K-1 horn 19. (cm) w/94 bracket and KPT-33-HF 1.2 (26.4cm) 32 lbs. (1kg) HIGH-FREQUENCY DRIVERS Calc. Max. Cont. Output 3 Sensitivity 4 Coverage DI Q Nominal Impedance Transducers Input Connectors KPT-GRAND-HF-T Hz-19kHz ± 3dB watts (2V) 8Hz-8kHz 18dB Horizontal 9 ± 2 1kHz-16kHz Vertical 6 +/-2 2.kHz-16kHz 8dB ± 2dB 8Hz-12kHz 8 ohms (7.8 2.kHz) One K-69-A 2.7 titanium diaphragm compression driver on a K-1 horn 1 (2.4cm) 39. (1.33cm) 7.7 (19.69cm) 2 lbs. (11.38kg) KPT-94-HF Hz-19kHz ± 3dB watts (2V) 8Hz-8kHz 18dB Horizontal 8 ± 2 8Hz-18kHz Vertical 6 ± 2 2kHz-19kHz 8dB ± 2dB 7Hz-1kHz 8 ohms (7.8 2.kHz) One KDE-7-8P 3 titanium diaphragm compression driver on a K-1 horn 12.2 (31.12cm) 1.2 (38.74cm) 1.2 (26.4cm) 21 lbs. (1kg) KPT-44-HF 6Hz-2kHz ± 3dB watts (19V) 1.2kHz-12kHz 121dB 1dB Horizontal 9 ± 2 2K-18kHz Vertical 6 ± 2 2.kHz-2kHz 8dB ± 2dB 1kHz-2kHz 8 ohms (7.4 1kHz) One K-7-G 1.7 titanium diaphragm compression driver on a K-73 horn 39."(1.33cm)w/KPT-44-MF and mounting board 39.7 (1.97cm) 7.7 (19.69cm) 38 lbs. (17.2kg) KPT-42-HF 4Hz-18kHz ± 3dB watts (2V) Hz-kHz 128dB 111dB Horizontal 9 ± 2 22Hz-14kHz Vertical 6 ± 1 6Hz-18kHz 8dB ± 2dB 2Hz-14kHz 8 ohms (8 Hz) One K titanium diaphragm compression driver on a K-42 horn 39.7 (1.97cm) 23.7 (3cm) 6 lbs. (27.2kg) KPT-33-HF 6Hz-2kHz ±3dB watts (19V) 1.2kHz-12kHz 121dB 1dB Horizontal 9 ± 2 2kHz-18kHz Vertical 6 ± 2 2.kHz-2kHz 8dB ± 2dB 1kHz-2kHz 8 ohms (7.4 1kHz) One K-7-G 1.7 titanium diaphragm compression driver on a K-73 horn 19. (cm) w/94 bracket and KPT-33-MF 1.2 (26.4cm) 32 lbs. (1kg) KPT-31-HF 7Hz-2kHz ± 3dB watts (19 V) 1.2kHz - 12kHz 121dB 1dB Horizontal 9 deg ± 2 1.kHz-18kHz Vertical 6 deg ± 2 2kHz-2kHz 8dB ± 2dB 9Hz - 2kHz 8 ohms (7.2 min at 9 Hz) One K-7-G 1.7" titanium diaphragm compression driver on a K-63 horn 12" (3.48cm) 1" (38.1cm) 1." (26.67cm) 1 lbs (6.8kg) 1. 3M, Half-space anechoic 2. AES Standard, continuous pink noise 4Hz-1kHz, 6dB peaks 3. Calculated at 1M half-space at power handling power input 4. SPL at 1M, half-space anechoic with 2.83V input Some product specifications are preliminary and subject to change. *Frequency response behind a screen with horn equalization applied. Some product specifications are preliminary and subject to change.

11 ACTIVE SETTINGS These settings assume components are as close to the screen as possible. High/Low Pass Crossover PEQ1 PEQ2 PEQ3 PEQ4 Delay Output Gain KPT-32 (KPT-94-HF) 9Hz Linkwitz Riley highpass 1.2KHz Q: 1.2 Gain: -db 3.7KHz Q: Gain: -3dB 1.36KHz Q: Gain: -2dB.14ms -2dB (KPT-31-LF) 8Hz Linkwitz Riley 24dB lowpass 4Hz Q: 2.4 Gain: +3dB 8Hz Q: 2 Gain: +3dB db KPT-94 (KPT-94-HF) 9Hz Linkwitz Riley 24dB highpass 1.2KHz Q: 1.2 Gain: -db 3.7KHz Q: Gain: -3dB 1.36KHz Q: Gain: -2dB.14ms db (KPT-94-LF) 92Hz Linkwitz Riley 24dB lowpass 62Hz Q: 3.2 Gain: +3dB 2Hz Q: 1 Gain: +1dB 1.2KHz Q: Gain: -2dB db KPT-942-T (KPT-42-HF) 6Hz Linkwitz Riley 24dB highpass 1.8 KHz Q: 1 Gain: -3dB 2.4KHz Q: 4 Gain: -7dB 7.4KHz Q: 4 Gain: +3dB 1.2KHz Q: 2 Gain: +3dB db (KPT-94-LF) Hz Linkwitz Riley 24dB lowpass 27Hz Q: 2.2 Gain: +2dB 62Hz Q:. Gain; -3dB.271 ms db KPT-942/4(KPT-42-HF) 8Hz Linkwitz Riley 24dB highpass 1.8KHz Q: 1 Gain: -4dB 2.4KHz Q: 4 Gain: -7dB 7.4Khz Q: 4 Gain: +3dB 1.2KHz Q: 2 Gain: +3dB +2dB (KPT-41-LF) 8Hz Linkwitz Riley 24dB lowpass 23Hz Q: Gain: +3dB 29Hz Q: 8 Gain: -2dB 74Hz Q: 3.2 Gain: -7dB 48Hz Q: 7 Gain: +2dB.167 ms db High/Low Pass Crossover KPT-33-N (KPT-33-HF/MFN) 88Hz Linkwitz Riley 24dB highpass (KPT-31-LF) 98Hz Linkwitz Riley 24dB lowpass KPT-43-N (KPT-33 HF/MFN) 1kHz Linkwitz Riley 24dB highpass (KPT-94-LF) 1.32Khz Linkwitz Riley 24dB lowpass KPT-3-T (KPT-Grand HF-T) 4.2KHz Linkwitz Riley 24dB highpass (KPT-42 MF) 4Hz Linkwitz Riley 24dB highpass (KPT-94-LF) 4Hz Linkwitz Riley 24dB lowpass KPT-3-N (KPT-Grand HFN, KPT-42-MF) Hz Linkwitz Riley 24dB highpass PEQ1 PEQ2 PEQ3 PEQ4 Delay Output Gain 8KHz Q: 2 Gain: +2dB 3KHz Q: 4 Gain: +2dB 2KHz Q: Gain: -2dB +1dB 4Hz Q: 2.4 Gain: +3dB 8Hz Q: 2 Gain: +3dB 9Hz Q:. Gain: +3dB.42 ms db 8KHz Q: 2 Gain: +2dB 3KHz Q: 4 Gain: +2dB 2KHz Q: Gain: -2dB +3dB 62Hz Q: 3.2 Gain: +1dB 4Hz Q: Gain: -1dB.83 ms db 3.6KHz Q: 2.2 Gain: -4dB 2.KHz Q: 2 Gain; -4dB 3.8KHz Q: Gain: -3dB.81ms db 7.6KHz Linkwitz Riley 24dB lowpass 62Hz Q: 2 Gain: -1dB 1.2 KHz Q: Gain: -3dB 2.4KHz Q: 6. Gain: -4dB 6KHz Q: Gain: -3dB.21 ms -4.dB 27Hz Q: 2.2 Gain: +3dB 4Hz Q:. Gain: -4dB 7Hz Q:4 Gain: -3dB db 62Hz Q: 2 Gain: -1dB 1.48KHz Q: Gain: -3dB 2.3KHz Q: 7 Gain: -3dB 3.KHz Q: 7 Gain: -2dB.37 ms +1dB KPT-3-N continued High/Low Pass Crossover PEQ1 PEQ2 PEQ3 PEQ4 Delay Output Gain (KPT-94-LF) 4Hz Linkwitz Riley 24dB lowpass 27Hz Q: 2.2 Gain: +3dB 4Hz Q:. Gain: -4dB 7Hz Q: 4 Gain: -3dB db KPT-3/4-T (KPT-Grand HF-T) 4.2KHz Linkwitz Riley 24dB highpass 3.6 khz Q: 2.2 Gain: -4dB 2. khz Q: 2 Gain: -4dB khz Q: Gain: -3DB.81 ms +2dB (KPT-42-MF) 37 Hz Linkwitz Riley 24dB highpass 7.6KHz Linkwitz Riley 24dB lowpass 62Hz Q: 2 Gain: -1dB 1.2 KHz Q: Gain: -3dB 2.4KHz Q: 6. Gain: -4dB 6KHz Q: Gain: -3dB -2.dB (KPT-41 LF) 44 Hz Linkwitz Riley 24dB lowpass 23Hz Q: Gain: +3dB 2Hz Q: 8 Gain: +2dB 38Hz Q: Gain +3dB 29Hz Q: 8 Gain -2dB db KPT-3/4-N (KPT-Grand-HF-N, KPT-42-MF) 4 Hz Linkwitz Riley 24dB highpass 62Hz Q: 2 Gain: -1dB 1.48KHz Q: Gain: -3dB 2.3KHz Q: 7 Gain: -3dB 3.KHz Q: 7 Gain: -2dB +3dB (KPT-41-LF) 44Hz- Linkwitz Riley 24dB lowpass 23Hz Q: Gain: +3dB 2Hz Q: 8 Gain: +2dB 38Hz Q: Gain: +3dB 29Hz Q: 8 Gain: -2dB db KPT-44 (KPT-44-UHF) 7.8KHz Linkwitz Riley 24dB highpass 6.4KHz Q: 4 Gain: -6dB 4.3KHz Q: 4 Gain: -3dB 1KHz Q: 3. Gain: +3dB.187 ms +1.dB (KPT-44-HF) 3.4KHz Linkwitz Riley 24dB highpass 7.8KHz Linkwitz Riley 24dB lowpass 2.1KHz Q: 4 Gain: -6dB 6.KHz Q: 4. Gain: +1dB 9.8KHz Q: 11 Gain: -db 12.8KHz Q: 7 Gain: -7dB.28 ms +.db KPT-44 continued High/Low Pass Crossover PEQ1 PEQ2 PEQ3 PEQ4 Delay Output Gain (KPT-42-MF) 39Hz Linkwitz Riley 24dB highpass 3KHz Linkwitz Riley 24dB lowpass 62Hz Q: 1.6 Gain -1dB 1.2KHz Q: Gain: -3dB 4 Hz Q: 6. Gain: -2dB 2.2 khz Q: 6. Gain: -1dB -4.dB (KPT- 94-LF) 4Hz Linkwitz Riley 24dB lowpass 27Hz Q: 2.2 Gain: +3dB 4Hz Q:. Gain: -4dB 7Hz Q: 4 Gain: -3dB db KPT-44-N2 (KPT-44-UHF, KPT-44-HF, KPT-42-MF, KPT-44-N2 NETWORK) 4Hz Linkwitz Riley 24dB highpass 8Hz Q: 2.6 Gain: -3dB 2.3KHz Q:. Gain: -3dB 9.4KHz Q: 3 Gain: +3dB 48Hz Q: 12 Gain: -2dBb +3dB (KPT-94-LF) 4Hz Linkwitz Riley 24dB lowpass 27Hz Q: 2.2 Gain: +3dB 4Hz Q:. Gain: -4dB 7Hz Q: 4 Gain: -3dB db KPT-74 (KPT-Grand HF-T) 6.2KHz Linkwitz Riley 24dB highpass 7.2 KHz Q: 2 Gain: +3dB 8 KHz Q: 9 Gain: +2dB 12 KHz Q: 6 Gain: -3dB 3.7KHz Q: 7 Gain: -4dB.833 ms db (KPT-42-MF) 1.4KHz Linkwitz Riley 24dB highpass 8.2 KHz Linkwitz Riley 24dB lowpass 6Hz Q: 4 Gain: -6dB 2KHz Q: 1. Gain: -4dB 2.KHz Q: 6 Gain: -4dB 92Hz Q: 6 Gain: +2dB.146 ms db (KPT-3) 34 Hz Linkwitz Riley 24dB highpass 1.2KHz Linkwitz Riley 24dB lowpass 4Hz Q: Gain: -6dB 94Hz Q: 9 Gain: -3dB 76HZ Q: 8 Gain: +3dB 1.12KHz Q: 7 Gain: -6dB +1dB (KPT-41-LF) 3Hz Linkwitz Riley 24dB lowpass 23Hz Q: Gain: +3dB 2Hz Q: Gain: +2dB 164Hz Q: Gain: +2dB 4Hz Q: 4 Gain: -6dB db High/Low Pass Crossover PEQ1 PEQ2 PEQ3 PEQ4 Delay Output Gain KPT-74-N (KPT-GRAND-HF-N, KPT-42-MF) 1.4KHz Linkwitz Riley 24dB highpass 1.48 KHz Q: Gain: -4dB 1KHz Q: 2.6 Gain: +3dB 7.4KHz Q: 1. Gain: +2dB 2.6KHz Q: 7 Gain: -3dB +3dB (KPT-3) 34Hz Linkwitz Riley 24dB highpass 1.2KHz Linkwitz Riley 24dB lowpass 4Hz Q: Gain: -6dB 94Hz Q: 9 Gain: -3dB 76Hz Q: 8 Gain: +3dB 1.2KHz Q: 7 Gain: -6dB +1dB (KPT-41-LF) 3Hz Linkwitz Riley 24dB lowpass 23Hz Q: Gain +3dB 2Hz Q: Gain: +2dB 164 Hz Q: Gain: +2dB 4Hz Q: 4 Gain: -6dB db KPT-74-N2 (KPT-3, KPT-42-MF, KPT-Grand HF-T, KPT-74/MCM N2 NETWORK) 32Hz Linkwitz Riley 24dB highpass 63Hz Q: 4 Gain: -3dB KHz Q: 2 Gain: +3dB 2.4KHz Q: 6. Gain -2dB 12.4KHz Q: 4 Gain -4dB +2dB (KPT-41-LF) 3Hz Linkwitz Riley 24dB lowpass 23Hz Q: Gain: +3dB 2Hz Q: Gain: +2dB 164Hz Q: Gain: +2dB 4HZ Q: 4 Gain: -6dB db

12 Guide on Using Klipsch Cinema Systems Based on Seating 1 SEATS (Approximately 1 ft2 or 93 m2) 12 SEATS (Approximately 14 ft2 or 13 m2) 1 SEATS (Approximately 18 ft2 or 167 m2) Good KPT-31, CA-8-T, KPT-418 Better KPT-92, CA-8-T, KPT-418 Best KPT-32, CA-8-T, KPT-418 Good KPT-92, CA-8-T, KPT-418 Better KPT-32, CA-8-T, KPT-418 Best KPT-33, KPT-81, KPT-684 Good KPT-32, CA-8-T, KPT-418 or KPT-684 Better KPT-33, KPT-81, KPT-684 or 2 KPT-884 Best KPT-94, KPT-81-T, 2 KPT-684 or 3 KPT SEATS (Approximately 22 ft2 or 29 m2) 2 SEATS (Approximately 28 ft2 or 26 m2) 2 SEATS (Approximately 3 ft2 or 32 m2) Good KPT-33, KPT-81-T, KPT-684 or 2 KPT-884 Better KPT-94, KPT-81-T, 2 KPT-684 or 3 KPT-884 Best KPT-43, KPT-121-T, 2 KPT-684 or 3 KPT-884 Good KPT-94, KPT-81-T, 2 KPT-684 or 3 KPT-884 Better KPT-43, KPT-121-T, 2 KPT-684 or 3 KPT-884 Best KPT-942, KPT-121-T, 2 KPT-684 or 3 KPT-884 Good KPT-43, KPT-121-T, 2 KPT-684 or 3 KPT-884 Better KPT-942, KPT-121-T, 2 KPT-684 or 3 KPT-884 Best KPT-3, KPT-121-T, 2 KPT-684 or 3 KPT SEATS (Approximately 42 ft2 or 39 m2) 3 SEATS (Approximately ft2 or 46 m2) 4 SEATS (Approximately 6 ft2 or 7 m2) Good KPT-942, KPT-121-T, 2 KPT-684 or 4 KPT-884 Better KPT-3. KPT-121, 2 KPT-684 or 3 KPT-884 Best KPT-942/4, KPT-121-T, 3 KPT-684 or 4 KPT-884 Good KPT-3, KPT-121-T, 2 KPT-684 or 3 KPT-884 Better KPT-942/4, KPT-121-T, 3 KPT-684 or 4 KPT-884 Best KPT-44, KPT-2, 4 KPT-684 or 6 KPT-884 Good KPT-942/4, KPT-121-T, 3 KPT-684 or 4 KPT-884 Better KPT-44, KPT-2, 4 KPT-684 or 6 KPT-884 Best KPT-3/4, KPT-2, 4 KPT-684 or 6 KPT SEATS (Approximately 7 ft2 or 6 m2) SEATS (Approximately 8 ft2 or 743 m2) 6 SEATS (Approximately 9 ft2 or 836 m2) Good KPT-44, KPT-2, 4 KPT-684 or 6 KPT-884 Better KPT-3/4, KPT-2, 4 KPT-684 or 6 KPT-884 Best KPT-74, KPT-2, KPT-684 or 8 KPT-884 Good KPT-3/4, KPT-2, 4 KPT-684 or 6 KPT-884 Better KPT-74, KPT-2, KPT-684 or 8 KPT-884 Best KPT-MCM 4, KPT-2, KPT-684 or 8 KPT-884 Better KPT-74, KPT-2, KPT-684 or 8 KPT-884 Best KPT MCM 4, KPT-2, KPT-684 or 8 KPT-884 The number of surrounds depends on the width and length of the auditorium. Usually on the sides, the first surround is placed 1. meters from the back wall. And then each surround is placed 3 meters from each other until last surround is within.2 of the length of the side. On the back wall, the first surrounds are placed 1. meters from the side walls. And then each surround is placed 3 meters from each other until the surrounds meet in the middle. The distance between the last surrounds must be close to 3 meters.

13 32 Woodview Trace Indianapolis, IN PN 16