Attachment 6: (this page) Picture of the plaque, metal unknown. $5 bill included for perspective

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1 Attachment 5: (this page) Stefan Novak (deceased 2006) commissioned work called The Structure. Novak was a master sculptor of redwood. This historic redwood behemoth still stands today, all 24 feet of it! Looking across Georgia St, in the 200 blocks, it must be looked for to be spotted. When built in the 60s, it was an open area atmosphere, now it closed in, surrounded by 3 buildings with tree's in front and back of it. Additional Novak photos later in this report. Attachment 6: (this page) Picture of the plaque, metal unknown. $5 bill included for perspective

2 Attachment 7: View from the Beeman Building, looking north towards Georgia St..

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4 Attachment 8: (this page) Missing commissioned piece, Triad is the work created by Freda Koblich. (Deceased in 2011) As seen in the center right of photo, an Acrylic masterpiece utilizing the fountain and water as its medium. Not much history on this item readily available, additional research required.

5 Attachment 9: (this page) Triad Plaque, also the size of a $5 dollar bill. The Plaque remains today. Attachment 10: Looking north across Georgia St, the 200 block.

6 Attachment 11: The fountain where Triad was erected still remains.close up of the fountain. (Plaque should be removed)

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8 Attachment 12: Missing piece of art named, Space Daisy as seen in upper right corner. Bella Feldman is the sculptress, still surviving today. Space Daisy was referred to symbolize the re-flowering of the Marina Vista that took place like a Phoenix arising from the old slums and rubble of Vallejo's past. Bella Feldman was present for the dedication of her masterpiece and spoke during the dedication. This item is 8ft x 8ft x 4ft. A giant in its own making made of cast aluminum, and placed upon a 4 ½ ft tall pedestal. This piece was located in the 200 block of Georgia, immediately east of the Beeman building, 20 feet from the building. Last known time frame of it still standing is speculated to be the year 2000.

9 6 additional pictures attached for perspective of location. Attachment 13: (this page) Space Daisy Plaque, again, the $5 size. Attachment14: looking South at the Beeman, to the east is the remaining pedestal of Space Daisy. Attachment 15: Closer shot of the pedestal, about 4 ½ tall, about 3 ½ oval wide. Attachment 16: Close-up. Looking closely at the bolts, why are 2 missing? Corroded? Forceful removal? The stains may have a story to tell as well:) Attachment 17: You should by now be asking yourselves, why does the Pedestal still remain? Good question, no? Attachment 18: to finish off the perspective of this missing item. (Plaque should be removed)

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11 Pedastal for Space Daisy (Plaque should be removed)

12 There is a story here, any tellers??????

13 We have discussed some of the items noted in the Dedication. Many questions remain unanswered, additional research might present a clearer picture. I have not found a line item, contracts or any document that clearly points out the Marina Vista Arts Collection. The Smithsonian Institute Database acknowledges works of art associated with the Marina Vista Redevelopment project, dating them to 1967, noting them as Administered by the City of Vallejo. The Smithsonian also recognizes other art not mentioned in the Marina Vista Brochure, possibly not associated with the Marina Vista Art Collection, that were commissioned by the City of Vallejo. The Public Records Research turned up nothing on the commissioning of these items dating back to the 1960s. It needs to be done again. There are no records or contracts found as to who commissioned this work, and why, at what cost. Now, that this report has been produced, there should be some response from Vallejo citizens that have knowledge and memory about Vallejo s public art commissioned during the period of redevelopment. Perhaps some documents and contracts will come to light as well. The Genius sculpture (seen on the cover of the report) received no recognition at the Dedication Celebration. This sculptor is internationally renowned for his masterpieces! The Genius was located in 2002 on the same plaza as Silent Company and the Luther Gibson Bust. Both of which were listed in the inventory created for Salvage purposes. Genius was not included in that inventory list. Now, The Genius is housing the rodents behind building 535 along with Gibson and Company. The Genius is a Posthumous Edition a reproduction after the death of the

14 Sculptor, Carl Milles. The hollow bronze sculpture was cast in Sweden at the Milles Estate. Vallejo s reproduction was the first Posthumous Edition ever shipped to the Untied States, since then there have been additional Posthumous Editions purchased from the Milles Estate in Sweden and brought to the United States. The Genius is considered to be Carl Milles greatest masterpiece! Vallejo should be proud that we selected The Genius for the Town Square. Without going into further detail, this is undoubtedly the highlight of the Marina Vista Art Collection and certainly worthy of a further in-depth report. (Vallejo) Attachment 19: The Genius is seen on a large pedestal, approx, 8 ft tall,

15 looking West to East as you view this photo. This photo comes from City of Vallejo records, but no mention or photograph of its removal or storage in Exhibit 14/Plaza Photo Inventory. This monumental possession remains outdoors behind building 535, against the continual recommendations to have it safely stored inside. In the background is the Monolithic Monument known as Silent Company (Vallejo)

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17 Attachment 20: Archived photo of two steel sculptures (artists unknown) slated for salvage and returned to an alternate location. These 2 have been duly noted and recorded. (currently stored behind building 535, Mare Island) Attachment 21: 1967 photo of the Town Square after completion. Looking to

18 the South, you can see Silent Company in the Fountain. Gordon Newel is the architect and creator of the granite masterpiece. Monolithic is the term used to describe this 5 piece Black Granite 1 of a kind commissioned masterpiece that dominated the town square. Like Triad, water is part of the medium. Flowing water was activated for special occasions. It is a 5 piece creation. One piece alone weighs 20 tons and is16 feet tall. An additional function of this fountain was for pedestrians to stop and rest at the Fountains edge. The Genius can be seen in the background, dwarfed by the Monolithic proportion of Silent Company. The fountain was dismantled in 2002 with no intention of returning it to the Unity Plaza area. 21

19 Attachment 22: (Exhibit 11), looking west to east, note the granite pavers,

20 that look like cobble stones. If you were coming west down Georgia Street prior to 2002 and crossed Santa Clara Street, this is just 1 of the Artifacts from the Marina Vista Collection that were Commissioned for Vallejo. These pavers are currently at Mare Island

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22 Attachment 23: (this page) Young Mayor Tony Intintoli and Council member Larry Asera pause for a photo in front of Silent Company. To the right you can see the Luther Gibson Bust, to the left, The Genius. The fountain is activated in this photo. Today s Unity Plaza does not add up to the Artistic effort and Community concepts that were created during the Marina Vista Redevelopment. Attachment 24: (this page)

23 Seen in the Marina Vista Brochure and in the Special Edition Dedication. Sculptor Martin Metal created The Wall Location of this artifact unknown at this time. Attachment 25: Cover sheet of the Plans and Specifications. (State and Federal Aid)

24 Attachment 26: Reference to Material Ownership, Attachment 27: Notes protection of items. Note 3.04, Special conditions given for Flags and Granite pavers. Nowhere in the documents reviewed did I come across any recommendations or concerns expressed for Sculptures, Busts, Plaques or others. It strikes me odd that our Historic Collection receives less significance than Granite Pavers.

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27 Attachment 28: Landscape contractors, Exhibit 14. An inventory list with thumbnail photos attached. This list appears to be complete. All but 1 item is identifiable. (Revised) appears to be complete is not a correct statement, there are not enough records available at this time to confirm what was removed, what was replaced, when, where or otherwise. Documentation of Inventory removed limited, at this time.

28 Attachments 29 and 30: Random Invoice/Purchase order for the purpose of understanding the storage situation. No evidence/documentation of transportation or original storage location has been found up to this point. Cooper Crane and Rigging were the subcontractors responsible for transport and temporary storage. Cooper Crane and Rigging is no longer in business. Records such as these reflect payments for storage. No location of original storage site was ever noted in the documents reviewed.

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32 Attachment 31: Change Order Summary. Line 2, Storage for Statues and Monuments, $16, Per documents reviewed, the introductory price of storage was $800 per month for a minimum of 6 months. $ per month after the 1 st 6 months. Records available are not complete. Beginning date of storage is sketchy at best, mid 2002 perhaps. Transportation records would confirm, but there is no record of transportation. It is not easy to haul a 20 ton carved Granite center art work. We should know when and where these artifacts were stored.

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34 Attachments 32, 33 and 34: It appears to me these 3 documents are records from a local organization, Commission or otherwise. You will notice Artifacts are referred to by Name, unlike contractors references, monuments, statues, busts. These are in my opinion notes and minutes from meeting(s). Attachment 32 appears to be an inventory list for a community meeting. Attachment 33, undated meeting notes. This document refers to all artifacts being stored on Mare Island. These are the few exceptions where The Genius is ever noted. The Richardson plaque is still in storage. I don t know about the Marina Vista Dedication Plaque. Attachment 34: Items should be located and confirmed.

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36 33 Who ever wrote these notes apparently had no idea the name of the Sculpture with wings. Also, the pool contains 5 pieces, not 4.

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38 Attachments 35, 36 and 37: Prior to development the City did outreach in the Community to discuss the Relocation of Monuments that included Busts, Sculptures and Plaques. 35

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41 Attachment 38: The Negative Declaration? Under Cultural Resources it notes all existing Monuments and Plaques will be relocated.

42 dictionary.reference.com/browse/monument noun 1. something erected in memory of a person, event, etc., as a building, pillar, or statue: the Washington Monument. 2. any building, megalith, etc., surviving... A monument is a type of structure that was explicitly created to commemorate a person or important event, or which has become important to a social group as a part of... mon u ment \'män-yə-mənt\ : a building, statue, etc., that honors a person or event : a building or place that is important because of when it was built or because of something in history that happened there : an example of something Question is, who will decipher the definition of Monument Will said Monuments be relocated as Cultural Resources Report declares? Have we upheld our obligations to our Cultural Resources? The answer is NO, we have not. The question is, what are we going to do about it?

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