nothing is as easily spotted as false elegance. and the ability to carry it out. a modest small thing can be elegant. John Dickinson, 1971

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Elegance is self-assurance in one sense and nothing is as easily spotted as false elegance. Elegance requires leisure and thought and the ability to carry it out. a modest small thing can be elegant. John Dickinson, 1971 john dickinson and his cat, birdie, in the firehouse I july 1972

the art of simplicity Sutherland is proud to present the celebrated furniture design of john dickinson. the elegance of understatement Heralded as one of the 20th century s most important and acclaimed designers, Dickinson created pieces that are easily identifiable yet difficult to duplicate. This selection of iconic pieces pays homage to the creator s unique aesthetic. the assured sense of style The imaginative works of John Dickinson create rooms that delight the senses and engage the mind. This limited series of estate authorized reproductions is cast from the creator s original works and molds. the hallmarks of john dickinson For more information visit sutherlandfurniture.com or call 800-717-8325. Available exclusively to interior designers AND architects throughout the world.

65114 hoofed table I cast composite : width 20in : depth 20in : height 21.5in : for interiors and exteriors

65136 large six legged african table I cast composite : diameter 36in : height 19in : for interiors and exteriors

65110 twig mirror I resin : width 33.5in : height 58in : for interiors

65105 twig lamp I resin : diameter 19in : height 33in : galvanized steel shade : for interiors 65107 tin table I galvanized tin and brass binding : top width 20in : top depth 20in : overall height 24in for interiors and exteriors : available summer 2012

65140 tree stump pedestal I cast composite : width 18.25in (base) depth 17in (base) : height 40.5in : for interiors and exteriors

65101 small african table I cast composite : diameter 17in : height 20in : for interiors and exteriors 65102 medium african table I cast composite : diameter 22.5in : height 26in : for interiors and exteriors

angelo donghia introduced me to John Dickinson in 1978. From 1980 until his death in 1982, I represented John s unique designs in my Texas showrooms. for many years, I have wanted to reintroduce John s collection in a material and manner that he would have admired. Now with the complete approval of his estate, I have the opportunity to do just that and I sincerely hope that all who have appreciated his designs will look favorably on our efforts. David Sutherland I had the privilege of working with John Dickinson on the Sonoma Mission Inn. He had a clarity of vision. John could synthesize the essence of a room in a heartbeat. Charles Swerz As much sculpture as furniture, Dickinson s work in plaster has the edginess of contemporary art. So it should come as no surprise that when he is rediscovered by a new generation of dealers, writers, auction house experts and curators, the first responders were collectors, not designers. Louis Bofferding

65108 footed lamp I resin : diameter 18in : height 29.5in : parchment shade : for interiors

65106 tin console I galvanized tin and brass binding : top width 48in : top depth 20in base width 57in : base depth 29in : overall height 30in : for interiors and exteriors : available summer 2012

65103 footed table I cast composite : width 30.5in : depth 21in : height 23.5in : for interiors and exteriors

65111 table with rope tie I cast composite : diameter 17.5in : height 19in : for interiors and exteriors

65115 etruscan table I cast composite : width 21in : depth 21in : height 21in : for interiors and exteriors

From June of 1962, when I first met John Dickinson, I was immediately struck with his innovative eye and perfect sense of proportion. So began two decades of great friendship and several challenging collaborations. Others have tried, but there was only one John Dickinson who opened the design world s eyes to see everything differently. Timeless only begins to describe his creations. Sam Crocker, San Francisco I first remember seeing the Firehouse published in House and Garden. It was so different than anything I had ever seen and not a little shocking. When I was living in San Francisco a few years later, we met quite by accident and became close friends. I think, for that reason, it has always been difficult for me to separate his work from our friendship. But I can say now that I have, and find it more wonderful than ever. He would be thrilled that an entirely new group of collectors feels the same way. Carlene Safdie There is an interesting designer in San Francisco I admire very much. His name is John Dickinson. Karl Lagerfeld, interview magazine 1979

JOHN DICKINSON sutherlandfurniture.com 214.638.4161