No matter if it is Shostakovich, Brahms or Liszt every note playing is audible in its fullness by Master Horn and Douce. Lovro Pogorelic, pianist
no crossover no correction circuit single-driver full range spherical Baffle
Product If you take a look at our products you will notice their design first: it is simple and functional, critical and revisory towards generaly accepted typologies. It becomes quite clear that it follows basic idea of the Bauhaus we believe that esthetic value of an object derives from the perfect fusion of form and function. No decoration and ornaments, only simplicity in its purest way. Our mission is to translate this rationality of the form into the sphere of the sound: to transmit the music in the purest possible way and most truthful as possible to the original performance. A horn speaker, due to its caracteristics, is closest to that ideal so after 20 years of research we accomplished our goal. Reproduction of the sound of each instrument maintained its natural colour and tone. Furthermore, you feel the music as if the performers are in the same room with you, in front of you at the same distance as they where from the microfone during the recording session. Musical presentation is profound, not flat nor veiled, so you can feel the position of each performer in the room. Sound performance is pure, unadulterated, more organic and natural.
Presentation of sound volume is profusely, rich, resolutely in its volume as well as in accurate orientation up and down, front and back, left and right due to the absolute fase exactness, but primarly due to the seating of the driver inside the sphere as a geometric body which makes reflections, as usual appearance of different constructions including those on plane front surfaces, dissapear. In upper harmonics a hightoned area is completely incorporated in entire sound volume which resultes in absence of high tones (i.e. cymbals, vibraphone, cimbalom) in front of the driver. Cymbals are interpreted on the position of percussion, where tambour or bass drum stands with outstanding presentation of colour and detail. Higher frequences in sound image remain remarkably connected with the whole of the instrument in precisely positioned spot of the recording low distortion fast transient response higher sound pressure level full-range phase coherent wave available finishes: wood cherry, beech, oak composite material finishes spherical Baffle: composite material
The spherical Baffle
Horn type loudspeakers with spherical Baffle The Baffle serves a specific purpose. Most loudspeaker modeling is performed based on the assumption of radiation into half space. A speaker radiating into half space plays 6 db louder than the same speaker radiating into full space. This is the crux of the diffraction loss. A full range speaker finds itself radiating into half space at the upper frequencies but radiating into full space at lower frequencies. As a result, there is a gradual shift of -6dB from the highs to the lows. This is what is called the 6 db baffle step or the enclosure s diffraction loss. A spherical enclosure exhibits this transition clearly with a very smooth diffraction loss curve. by John L. Murphy, Physicist/Audio Engineer
finishes composite: white black wood: cherry beech oak artistic
Sensitivity: 92dB 1W/1m Impedance: 8 ohms Recommended amplifier power: from 10 watts (tube amp friendly) Frequency response: 35 Hz 20 KHz Dimensions in cm: H107 x D55 x W34 Weight in kg: cca 25 each Horn type loudspeakers Master Horn model Jazz The same transparency can be felt in lower harmonic spectrum to which contributes bass horn of excellent resolution in the area under 30 Hz where it still retains timbre as well as dynamics.
The active horn subwoofer CH 1
Single Driver Internal amplifier with digital crossover Hypex DS1.2 Frequency response: 19 Hz 120 Hz Internal wiring RingAudio The active horn type subwoofer
Model Master Horn Jazz Active Subwoofer CH 1 Development and final inspections T: +385 (0)98 901 2863 M: ring.audio@gmail.com www.ring-audio.com OGRIZOVICEVA 2. 10 000 ZAGREB. CROATIA Photo: vanja šolin, proces 15, www.proces15.com mio vesović, meko okidanje (portrait on the cover)