Japanese. touches. COPYRIGHT 2008 by The Taunton Press, Inc. Copying and distribution of this article is not permitted

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Japanese touches

refine an A small addition makes room for both a soaking tub and a gracious entry BY SADAFUMI UCHIYAMA ordinary house Our house, like most raised ranches, had an entrance that was not big enough inside. It was not very welcoming from the outside, either. From my childhood in Japan, I knew that the entrance is considered an important place to greet visitors and to make the transition from outside to inside. Changing the entry from a small landing to a more gracious space was our first priority. But I also had a dream of installing a traditional Japanese bath, where my family could relax at the end of the day. I wanted to share this wonderful part of Japanese life with my children. Because the existing bathrooms were right next to the entry at the front of the house (see floor plan, p. 45), we built the new bath and entry at that same time. This small addition gave us a larger entrance and a traditional Japanese bath. It also allowed us to change the look of the house from a plain raised ranch to a home with Japanese style. AFTER Leave your shoes at the door In Japan, the entrance to a house is designed so that both family and visitors can make the transition from outside to inside, from public to private, in stages. Since it rains a lot in the Pacific Northwest, we covered the door with a roof that has wide eaves. When you approach the door and step under the entrance roof, you can see that it was constructed with heavy timbers supported by two 6-inch by 6-inch posts salvaged from an old barn. The strength and presence of this structure make visitors feel protected and welcome. BEFORE STEEPED IN TRADITION The author s nondescript raised ranch was transformed inside and out by adding a new porch and a foyer and by extending two bathrooms to make room for a soaking tub (which the author enjoys with his son, at left). Photos except where noted: Rebecca Mack; this page, Sadafumi Uchiyama SEPTEMBER/OCTOBER 2004 43

Removing leaving the outside world TRANSITIONAL SPACE: FROM PUBLIC TO PRIVATE ESSENTIAL SHOE STORAGE The only furniture in the entry is a wooden shoe box, called a getabako. The doors slide closed, hiding shoes and keeping the entrance area neat. On the shoe box is the traditional Japanese decoration for the celebration of Boy s Day, May 5. A SUCCESSFUL ENTRANCE allows for a gradual transition from public to private space. Guests can be invited into the house in two stages. First they enter the foyer, where they may conduct their business with the homeowner and then leave. Or, if the guests are well known to the owner, they take off their shoes and proceed into the house. S.U. 44 INSPIRED HOUSE Illustration: Sadafumi Uchiyama

Then, when you walk into the foyer, or genkan, you need room to sit and take off your shoes. You put your feet on a special stone, called a kutsunugi, which can be installed as a step or set flush to the floor. Visitors place their shoes to one side of the stone. When they leave, they find that their shoes have been turned around and placed in the center of the stone, where they can easily slip into them. The genkan also has a shoe storage box where my family and I put our outdoor shoes and house slippers. The box was custom made by a Portland, Ore., carpenter trained in traditional Japanese woodworking techniques. Removing shoes helps to keep the house clean, but perhaps more important for those who live in the house, the act of removing their shoes is associated with leaving the outside world and relaxing at home. Translating a traditional Japanese bath A SMALL ADDITION CONNECTS THE FAMILY TO JAPAN A LARGER ENTRANCE and a traditional Japanese bath were made possible with the addition. The entrance more than tripled in size to allow space for greeting guests and for everyone to remove their shoes before entering the house. To build the Japanese bath, two full, side-by-side bathrooms were modified. Both tubs were removed, leaving the toilet and sink in each room. Borrowing space from one of the bathrooms made room for a 3-foot by 5-foot changing room. The new bath and shower room is reached from both bathrooms, through the changing room. Another tradition that our addition has made possible is relaxing in a hot bath, known as ofuro in Japanese. Soaking in a deep bath tub is my ritual of renewal at the end of the day. When I m immersed in very hot, clear water up to my chin, tensions melt away. After the bath, my body is warm and ready for a good night s To master bedroom your shoes symbolizes and relaxing at home. sleep. The bath also brings back memories of my childhood. It s a pleasure for the senses and is at the heart of being Japanese. It s also an experience I wanted to share with my family. The tub is for relaxing, not washing, so before you get in you need to get clean. Around the tub is the araiba, literally the washing floor (photo, pp. 46 47). Sitting on a small stool, you draw water from the tap into a bowl, then scrub and completely rinse away soap before getting in the tub. The tub water is not changed for each bather, so it is important to keep the water as clean as possible. The water in our tub is kept constantly heated to about 105 F and is circulated through an in-line filter like that in a Jacuzzi. The whole bathroom is waterproof. You can splash water everywhere even outside the tub which is a lot of fun and the part of reason our kids enjoy bathing. Our tub was built by a local craftsman and boat builder with experience building Japanese tubs. Constructed without nails or glue, tubs weep a small amount of Floor plans: Joanne Bouknight To master bedroom Courtyard garden BEFORE AFTER Front door Changing room Tub Heating unit Washing floor Shower Porch Foyer Stone Shoe box Front porch Scale in feet SEPTEMBER/OCTOBER 2004 45 N 0 3 6 12

KEEPING A FAMILY TRADITION Removing shoes at the door and relaxing in a soaking tub at the end of the day are two of the traditions central to my husband s Japanese culture that we wanted to bring into our home. But traditions aside, I think there are few things in life as relaxing as being immersed in hot water. In Japan, families with young children often bathe together. As the children grow older, they bathe on their own. Although not strictly enforced, the person in the household to take the first bath of the evening is usually the most respected, typically an elder family member. Also, when the family has guests, the guest is likely to be offered the first bath. We live a hectic life full-time careers, children, community involvement. Having this readily accessible bath in our home ensures that we slow down, take care of ourselves, and have time to think or to connect with family. Dawn Uchiyama A BATH WITH STONE, CEDAR, AND A CONNECTION TO THE OUTDOORS A QUARTZ SLAB MARKS THE ENTRY to the bathroom, which is a foot lower than the rest of the house. The slightly rough texture of the stone is in contrast to the smoother slate floor. WE USED NATURAL ELEMENTS throughout the bathroom to stimulate the senses. Stepping in from the changing room, I m transported half a world away when my feet touch the 8-inch slab of cool, slightly rough Idaho quartz, which marks the entrance to the room. I chose this stone because it reminded me of the one in the communal bathhouse in my hometown in Japan. The rest of the floor is slate, and the walls are a type of limestone called travertine. The combination of natural elements in the room contributes to a calming atmosphere. Since several people may use the tub in the evening, a wooden cover helps to keep the water hot between bathers. Wooden grates on the floor at the base of the tub allow overflowing water to drain and provide room for the wooden tub to expand and contract. When the cover is lifted off the tub, steam fills the room. The mist coupled with the aroma of the cedar tub makes bathing an almost ethereal experience. S.U. 46 INSPIRED HOUSE

Soaking in a deep bathtub is my ritual of renewal at the end of the day. Sadafumi Uchiyama WASHING HAPPENS OUTSIDE THE TUB A washing station has all the tools needed to cleanse the body before entering the tub: a small stool, a low shelf with toiletries, and a bowl for water. For washing up quickly there is a handheld shower here and another showerhead on the adjacent wall (photo, p. 42.) water for the first two to four weeks, until the wood swells and becomes saturated, making it leakproof. You can drain and refill the tub, but you must not let it completely dry out. Tubs are traditionally made of wood, preferably hinoki, a Japanese cypress, which has an incredible therapeutic aroma. In this country, cedar is probably the best choice. We built ours with highly aromatic Port Orford cedar that was salvaged along the Pacific Northwest coast from old-growth trees cut down decades ago. The transformation continues A WINDOW NEXT TO THE TUB looks out on a rhododendron in the courtyard. A second window lets in morning sun, a third is up high to let light filter in through the trees, and a fourth is at eye level looking out at the woods. We continue to make changes to our home to make it more comfortable and to imbue it with Japanese style. Our current project is changing all the exterior siding to match the new entrance. And we are preparing to construct a traditional courtyard garden that will be viewed from the bathroom window. Our entrance no longer looks like an awkward attachment to the front of the house. One small addition added two spaces that are elemental to Japanese traditions and at the same time transformed the exterior to reflect the people and the Japanese style inside. h Sadafumi Uchiyama is a landscape architect specializing in Japanese garden design and construction. See Resources on page 94. SEPTEMBER/OCTOBER 2004 47