Student National Lighting Design Competition Winners 2012
Student Category Winner Huanhai Cheng Permeating by Light The Harlem School of the Arts School Parsons The New School for Design, New York, N.Y. Cheng Cheng_HarlemSchool_01.jpg Cheng_HarlemSchool_02.jpg
Cooper Lighting s 36th Annual SOURCE Awards Student Category WINNER Huanhai Cheng Parsons The New School for Design, New York, N.Y. Project: Permeating by Light The Harlem School of the Arts Student s Project Description: The Harlem School of the Arts (HSA), located on the upper west side in New York City, provides a comprehensive education in Harlem. The school is trying to welcome the community into its environment, but the solid brick wall façade proved to be an uninviting image. Originally, it was meant to prohibit public activities in the school. I don t want to break down the entire brick wall, but would like my intervention to begin a dialogue with the Harlem community and the HSA students. My concept brings porosity here. Inspired by a tree canopy, the re-designed wall and roof allow fresh air, light, wind and people to smoothly flow into HSA, keeping a basic interface between the inside and outside. It s neither open nor enclosed; it starts to welcome the public. By using this idea of porosity, the entire program will be linked together by the large void space in the middle of the building a gathering space to serve as a transition area. It not only provides added free circulation, but also starts to penetrate both academic and public spaces and becomes a transition zone among different users. In addition, the performance stage in the center allows for public activities. Concept of daylight: The three-layer ceiling, made by Glass Fiber Reinforced Concrete (GFRC), is an ultra-strong composite made of cement infused with random glass fibers that reinforces the concrete and increases its load-bearing capacity. The ceiling and metal structure play as a filter to allow proper and adequate daylight into the interior. This special ceiling provides about six percent DF, which means it s well lit artificial lighting is generally not required except at dawn and dusk and it also reduces any glare issue. With a tilted angle, it would also help to block sunlight during summer and noon but allows daylight transmitted during winter. During the day, the double-glazed façade allows people from outside to see academic activities inside at certain angles, so that the school could provide quality and private teaching without isolated from the outside. Concept of electrical light: I want to continue using daytime experience but will create different light levels for different purposes during nighttime. It will be divided by two categories: general lighting and accent lighting. First, the cove light will illuminate the ceiling and form the circular shape allowing people to feel as though they are sitting under a giant tree canopy. Second, accent light will follow the elliptical stage and form a bright and adequate light level for performances. Finally, the fixtures recessed in the stair handrail will project shadows on the façade, and those shadows will become part of performance during the night. It will create an interesting performance on the façade, and thus attracts attention to HSA. Above these efforts, I hope to reach a natural atmosphere for the school and community with people impressed by the daylight effect and electric lighting during the night. Project Boards: Cheng_HarlemSchool_01.jpg and Cheng_HarlemSchool_02.jpg Headshot: Huanhai_Cheng.jpg Please contact Karin Martin at 630-513-8625 or Karin.Martin@CooperIndustries.com for additional information.
Student Category Honorable Mention Ali Kidwell Hermes Men s Showroom School Auburn University, Auburn, Ala. Kidwell Kidwell_Hermes_01.jpg Kidwell_Hermes_02.jpg
Cooper Lighting s 36th Annual SOURCE Awards Student Category HONORABLE MENTION Ali Kidwell Auburn University, Auburn, Ala. Project: Hermes Men s Showroom Student s Project Description: The lighting design concept for the Hermes men s showroom in the Shibuya District of Japan is specific and tailored to draw prospective patrons into the engaging space. This is accomplished through a high contrasting lighting technique and intriguing accent lighting. Light is integral into the design of the space in order to highlight and focus one s eye to the important elements merchandise. This will, in turn, aid in increasing revenues. In order to draw patrons into the showroom, bright lighting highlights the newest merchandise and is incorporated through the use of LED strip and recessed adjustable multi-lamp lighting that can be seen on the adjacent sidewalks. These fixtures will provide direction for patrons on what is the priority in the space. To display wall-mounted goods, wall wash recessed fixtures with a lateral direction highlight the primary focus. Arguably the most important lighting technique is the shelf-mounted lighting used throughout the space. This LED, bright white fixture emphasizes the display shelving while providing clear and color-true lighting to help aid consumers in their purchasing. To enhance the traditional Japanese linear beams throughout the space, LED indirect cove lighting is placed within the beams to provide a glow overhead without washing out the space below. This also gives the space the much-needed intrigue to help the showroom have its place in the diverse and whimsical area of Shibuya. To provide a continuous and cohesive theme throughout the showroom, LED strip lighting is placed in wall and ceiling coves to play off of the spaces linear characteristics. This plays on the custom shelving and traditional Japanese design. For wayfinding, a lit toe kick underneath the checkout counter and a bright strip of light located on the countertop directs patrons to their ultimate destination. This lighting, along with the adjacent wood and metal accents will cause reflections to further guide consumers into the showroom. The Hermes men s showroom is a combination of the tradition and modern, much like the region in which is housed. Linear aspects combined with a mixed use of materials are enhanced by the high contrasting scheme that provides direction for patrons. This direction, along with the sustainable and energy saving characteristics of many of the fixtures utilized will help increase the bottom line for the showroom, thus making it a profitable space. Project Boards: Kidwell_Hermes_01.jpg and Kidwell_Hermes_02.jpg Headshot: Ali_Kidwell.jpg Please contact Karin Martin at 630-513-8625 or Karin.Martin@CooperIndustries.com for additional information.
Student Category Honorable Mention Christina Careccia PADI Americas Headquarters Expansion School The Art Institute Of California San Diego, Calif. Careccia Careccia_PADI_01.jpg Careccia_PADI_02.jpg
Cooper Lighting s 36th Annual SOURCE Awards Student Category HONORABLE MENTION Christina Careccia The Art Institute Of California San Diego, Calif. Project: PADI Americas Headquarters Expansion Student s Project Description: Through the use of materials, forms, features and lighting, the new floor evokes the feeling of being underwater. It is this very thrill and feeling of being underwater that maintains an expanding and strong diving community. It is meant to remind and promote old and new public interest in recreational scuba diving through education, community events and underwater conservation issues. The use of white and gray contrasts with blue tones to mimic the ocean atmospheric tones and loss of the range of colored light as one descends underwater. The new expansion uses clean and modern lines for an overall contemporary style. Daylighting is integrated in the lighting plan to support the organization s daily activities. Multiple layered lighting and dimmable lights support multiple activities within the same area and allow for maximum energy conservation. THE LIGHTING SOLUTION The client requires an energy-efficient lighting plan. Only fluorescents and LEDs are utilized throughout the space. Energy advantage lamps replace less energy-efficient lamp options for luminaires. Daylighting plays a major role throughout the lighting plan as daylighting zones minimize the need for artificial light. Photosensitive, adjustable recessed can lights direct supplemental light interior to the room along window walls in the event of loss of daylight. The Reception Area uses low voltage lighting with lower lumen output to convey a consistent low ambience similar to an underwater environment. A custom printed, round ceiling tile grid displays an upward view through an underwater coral reef. Modern and clean pendant lights flank the reception desk offering task lighting for guests and the staff. Recessed blue square tiles intermittently line the bottom of the reception desk as well as the perimeter of the room. They emit a low, blue glow adding to the strong underwater theme of the room. These same blue tiles act as a repetitive design element throughout the new floor. They flank entrances to important public rooms and line the two main decorative walls of Assembly Room. The Circulation Area acts as an extension of the Reception Area hinting at and directing people towards the Assembly Room. Two acoustical panels absorb noise adding visual interest in this main circulation path, while dimmable recessed downlights create even lighting. Two adjustable recessed downlights direct light towards a display area. Along the hall to the Assembly Room are wall washers creating a scalloped wall pattern before the entrance into the main focal area. The main focal area, the Assembly Room, features alternating white and blue overlapping ceiling tile grids. They suspend over the large and smaller gathering areas both defining and absorbing noise. This feature evokes the feeling of floating fish and objects that would hover above a scuba diver. Along the walk path between the two gathering areas are suspended linear dimmable light fixtures and recessed linear dimmable fluorescent light fixtures. These higher lumen output fluorescents may be dimmed lower for traffic lighting or can be enhanced to visually connect the two gathering areas allowing for the Assembly Room to act as one large gathering space if required. Along the perimeter of the two decorative walls is an undulating metal linear ceiling. The metal reflects all the colors within the room similar to underwater visual obscurity. Recessed linear lights are inset within the linear metal ceiling to provide dimmable lighting: low options for passing traffic and higher levels for displays or presentations. The underwater wall graphic with silhouetted scuba divers allows for autonomy of the figures; viewers can reflect their own diving or potential diving experiences. The undulating ceiling creates a wave-like form and when viewed from the other side of the room, acts as a representation of the ocean surface in conjunction to the underwater wall art. This gives a whimsical look, enticing both adults and children to interact with wall displays and enjoy being in the room. Cove lighting is used in the Conference Room and Director's Office offering architectural interest as well as a more intimate lighting environment. All recessed downlights are dimmable with perimeter soffit lighting adjustable for media presentations with central lighting included should higher level lighting be needed during media presentations. Flanking soffits along the bookcase walls of the Library Lounge save energy by offering one light per shelf at each bookcase for individual viewing. An override allows them to act as perimeter lighting if required. Separate switching permits energy conservation in areas where tasks are not being conducted. The Director's Office is divided into two cove areas defining the higher light level work area and the softer casual meeting area, which which may be dimmed or turned off when that space isn't being utilized. All offices offer dimmable fluorescent fixtures as the main ambient light. The dimmable recessed downlights act as supplemental ambient lighting for the perimeter in addition to necessity for high detailed tasks. Soffit lights near windows act as daylight supplemental lighting. The main ambient light for the Open Offices are recessed linear dimmable fluorescent light fixtures and centrally lined, dimmable recessed downlights. For high-detailed tasks, suspended linear dimmable light fixtures hang from the ceiling acting as a secondary main ambient fill light. Dimmable recessed downlights align the perimeter offering lower lighting levels for traffic areas. Multiple layered lighting offers versatility for all areas, while dimmable lights offer lower and higher lighting levels for different tasks and events. Energy-efficient lamps and daylighting zones allow for additive energy conservation. Different lighting fixtures integrated with ceiling features to add a fun yet professional theme. Project Boards: Careccia_PADI_01.jpg and Careccia_PADI_02.jpg Headshot: Christina_Careccia.jpg Please contact Karin Martin at 630-513-8625 or Karin.Martin@CooperIndustries.com for additional information.
Student Category Honorable Mention Graysen Miller Escalope School Mississippi College, Clinton, Miss. Miller Miller_Escalope_01.jpg Miller_Escalope_02.jpg
Cooper Lighting s 36th Annual SOURCE Awards Student Category HONORABLE MENTION Graysen Miller Mississippi College, Clinton, Miss. Project: Escalope Student s Project Description: The Escalope aquarium consists of a design inspired by light, life and fun for people of all ages. This aquarium's namesake originates from the French term meaning ''scallop shell.'' The walls and courtyard of this space reflect the shape of this special seashell. Being a space where water and creatures of the sea are obviously the most important, there are many added elements that contribute to this aquatic feel. The atmosphere creates a freeing experience to all who enter by giving the feeling of having been transported to a distant underwater world. Placed on our country's beautiful west coast, Escalope overlooks the waters and rocky shores of Santa Barbara, Calif. The exterior walls are made entirely of glass providing breathtaking views at every turn and marvelous natural lighting throughout. Upon entering this aquarium, one is greeted by a three-form sign placed in the courtyard, illuminated by Lumière's Boca in-ground lights. The courtyard itself is accented with glass Sedona bollards and subtle Boca in-ground lights that act as a guide leading one to the oasis ahead. The entrance leads to the gift shop and check-in areas with restrooms located on either side. The gift shop is backed by a semi-circular wall, which acts as a barrier from the rest of the space. Portfolio's horizontal downlights act as the main light source throughout this space and provide a sense of flowing continuity. Suspended from the ceiling are four three-form signs that provide the names of each area of the sea to be viewed. Io line symmetric LED accent lights dwell within the signs to highlight the journey such as ''creatures of the deep, ''shallow seas'' and ''reefs of the world.'' In these three main underwater tanks, sunshine beams down through the waters from the skylights placed above. Not only do these skylights provide another natural light source, but they also bring the waters to life with the sunrays reaching down, playing off of the fish as they swim about. In between are groupings of three smaller circular tanks divided into jellyfish and seahorses. These special exhibits provide a sense of playfulness with their many light options and surrounding benches that provide a short resting place to appreciate the many wonders represented. Lumière's Atlantis underwater lights accent each of these exhibits with a variety of colored filters. Controlled by any curious child that walks by, a simple push of a button or flip of a switch causes everyday jellyfish to become highlighted by shades of magenta, purple or green. Located to the back of the aquarium is an exciting surprise for all; a 90-foot long stingray petting area. Along this wavy stretch are three step areas for visitors to step up and pet these fascinating creatures. Reflecting the shape of this shallow pool from above is Halo's flexible track and Stasis track heads, which provide extra illumination. Nearing the back glass walls is a presentation area for group tours. Designated by a cluster of benches, this area provides visitors with a chance to learn more about the deep seas represented around them. Escalope offers a very energy efficient and functional design, which meets the IES watts per square foot standard. To make this large space as energy efficient as possible, everything is controlled by the TSC30 LED touchscreen control panel. This allows all lighting to be placed in zones and to be easily controlled by dimmers. In each restroom, main storage area and break area, ultrasonic motion sensors have been placed to offer an even more efficient lighting option. With its unique activities and creative lighting techniques, Escalope is an attraction that is not to be missed. Project Boards: Miller_Escalope_01.jpg and Miller_ Escalope _02.jpg Headshot: Graysen_Miller.jpg Please contact Karin Martin at 630-513-8625 or Karin.Martin@CooperIndustries.com for additional information.
Student Category Award of Recognition Ana Darice Payán Bloomingdale s Corporate Office School The Art Institute Of California San Diego, Calif. Payán Payan_Bloomingdales_01.jpg Payan_Bloomingdales_02.jpg
Cooper Lighting s 36th Annual SOURCE Awards Student Category AWARD OF RECOGNITION Ana Darice Payán The Art Institute Of California San Diego, Calif. Project: Bloomingdale s Corporate Office Student s Project Description: Bloomingdale's is an upscale American department store with many locations around the USA. Each department store located in the U.S. has a unique, elegant and sleek design that defines Bloomingdale s. Since opening its first store in the lower east side of Manhattan, Bloomingdale s has seen increasing expansion both in the number of retail stores as well as its corporate office and staff size. Bloomingdale s is a corporation owned by Macy s Inc. Since its opening, the company now has expanded its own corporate headquarters. This corporate headquarters is a perfect representation of Bloomingdale s, not only as an American department store, but also as a corporation that is available to serve the people and the environment. Over the years, Bloomingdale s has made a huge impact with its b.cause program, which helps communities where its stores are located. Its b.cause philanthropy program brings together thousands of employee volunteers to increase awareness and raise funds for causes with the organizations they partner with. Keeping in the same spirit, Bloomingdale s is dedicated to sustainable design practices to help support the environment in which we live. Bloomingdale s is committed to making the world a better place. Its entire corporate center features green design with sustainable materials that benefit the environment. One great example of green design is the use of LED lighting throughout the facility. A single bulb of an LED keeps one-half ton of carbon dioxide out of the atmosphere through its life cycle. It will also keep the sulfur oxide and nuclear waste to a minimum in landfills. Bloomingdale s has made an excellent decision by choosing LED luminaires for its corporate offices because they offer long service life and high energy efficiency. The efficiency of LED modules continues to improve, with some chips able to emit more than 100 lumens per watt; a great amount of lumens for the foot-candles needed in workspaces. LED fixtures are used for both general and special purpose lighting, like the one needed for corporate offices. Good light quality will help the employees perform better and will also help the environment. Project Boards: Payan_Bloomingdales_01.jpg and Payan_Bloomingdales_02.jpg Headshot: AnaDarice_Payan.jpg Please contact Karin Martin at 630-513-8625 or Karin.Martin@CooperIndustries.com for additional information.