by Cheryl tyle photography by Jeff Morey LANDSCAPE CONTRACTOR by trade,

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s by Cheryl toremorey tyle High-Hand As Seen In IDEAS, INSIGHT, INSPIRATION inspired retailing for independents IGC Show Issue 2009 Conservatory, Nursery and Art Gallery Loomis, CA photography by Jeff Morey LANDSCAPE CONTRACTOR by trade, entrepreneurial independent garden center aficionado by necessity. After spending 20 years as a landscape contractor and getting tired of the substandard plants available to him, Scott Paris discovered that garden centers have a much higher quality plant selection from which to choose. So, he decided it was time to go into retail and jumped right in! His goal was to create an interactive, experiential retail environment. Scott s desire was to make his store both a personal sanctuary for himself while at the same time ensuring his customers feel an emotional connection to the entire shopping and dining experience. Passion is the name of the game, and it seems to be working. High-Hand draws 90 percent of its base from Sacramento, and from as far as Reno, three hours away. Scott doesn t do any advertising, rather he draws people 41 G A R D E N C H I C I G C S H O W I S S U E 2 0 0 9

Cafe tables are already set, inviting customers to stop and enjoy a pleasant lunch or weekend dinner. in with event-driven marketing, using e-mail and driving it hard. Scott calls his store the purple elephant. Insisting everything has to inspire him, he designs everything by feel. Another philosophy: he looks at what others are doing and does the opposite, saying he wants to do something different and can t be different if he s doing what everyone else is doing. Very logical, indeed. For example, cafe tables are already set, inviting customers to stop and enjoy a pleasant lunch or weekend dinner. His centerpiece is uniquely crafted of a silver colander planted with lettuce (pictured opposite page, bottom left). Complete with a price tag, here lettuce is no longer just a price point but a fun and decorative profit center. Scott has incorporated his cafe theme into the garden center as well. Since opening the restaurant, he has acquired antique stoves and other such appliances that he incorporates into the store as display tables. You can find examples in the additional photos at BeGardenChic.com. There is so much for customers to discover. If you were to just walk through, you would miss half the story. What I mean by that is, if you don t turn around and look back, you very well could miss a hidden treasure. You see, Scott is also a manufacturer and importer of the statuary seen throughout the store. And he has craftily tucked these treasures among The extras (Right, top) Scott has not abandoned his landscape business. Incorporated in a natural setting is an inviting water feature and koi pond, demonstrating the serenity High-Hand brings to customers back yards. (Center) Blooming arches and potted plants not only invite shoppers into the conservatory cafe for an incredible lunch (yes, we did partake), they inspire customers to recreate the feeling in their own yards. (Bottom) The pizza bar accommodates customers in a barlike scene just outside the cafe.

IDEAS, INSIGHT, INSPIRATION Merchandising Secrets Not only is Scott Paris the owner of High-Hand, he is the visual mastermind behind the merchandising of every department. I like to use large drifts of color or texture with a sharp accent, he says, waves, drifts, splashes and pop. He also designs with an eye toward blending the garden center s diverse departments seamlessly by incorporating items from several categories into each display. Bringing trellises and stone benches into plant displays, for example, bridges the gap between garden decor and green goods. Scott buys for the garden center, too, and looks for plants and products that evoke emotion and curiosity. Then, he makes sure to tap these qualities in the way he presents them for sale. The display must be able to convey a visually emotional message, he says. It can be a bit challenging to teach this merchandising technique because it is style-driven. Props are one way he adds drama and interest. Finding items that would not normally be used in a garden setting, such as an antique window or an old copper sink, is a fun way to cross over between indoor and outdoor venues, he says. For more ways to take his displays to the next level, Scott turns to the pages of Garden Chic as a source of inspiration. I like the integration of generations, lifestyles and trends, he says. One pitfall he is careful to avoid: overloading his presentations - and overwhelming customers. A display is built for the purpose of showcasing a product, technique or lifestyle, and too much information can detract completely from what you are trying to showcase, he says. He also makes sure displays are not static for more than a few days, especially if the products aren t selling well. We are constantly shifting and moving plant material to expand and consolidate displays as plants are sold, Scott says. Displays get tired as plants sell. When the original intent of the display loses impact, it s time to re-do it. The statue of the girl painting isn t just sitting there with plants surrounding it, rather it is positioned on the edge of the cafe, facing a focal point that one might really want to paint.

IDEAS, INSIGHT, INSPIRATION the plants. Many times, if you don t see from where you came, you ll miss what is to come. This connection definitely adds to the overall ambiance, telling a story with each setting. The clever way in which the items are presented is the key. For example, the statue of the girl painting isn t just sitting there with plants surrounding it, rather it is positioned on the edge of the cafe, facing a focal point that one might really want to paint (pictured on page 42, bottom left, and page 43, middle). It is this attention to detail that makes all the difference and is in total keeping with Scott s desire to create an emotional connection with his customers. The aisles are winding but wide enough to provide a convenient shopping experience. You almost forget you are in a garden center. No wonder people come from miles away to both get inspired and enjoy the serenity of the garden settings. High-Hand gets its name from its history. Located on the grounds of the long-vacated High-Hand Fruit Packing company, Scott has taken care to preserve the city s history. In the oldest section of the fruit shed, which was constructed in 1901, is the High-Hand Art Gallery, featuring local artists (pictured opposite page, bottom). Adjacent to the gallery is a soundproof room containing the Blacksmith Shop - yes, they also make much of the ironwork - an area where they also conduct art classes. The packing shed includes a basement formerly used for storage. In an effort to be eco-conscious, Scott wanted to use the floor planks for the steps and flooring of the art gallery, so he cut a hole in the floor and built a staircase leading to the basement (photos at BeGardenChic.com). As mentioned, having an interactive operation is important to Scott as well. Some of the things he is doing: the growing areas are left open to customers to browse and even shop, and he has a strawberry patch he allows anyone with kids to pick for free. Scott has many other ideas to involve kids with fun, truly innovative activities, but that s a story for another day! High-Hand avails itself to not being bound by the usual philosophies and has created quite a wonderland. This is definitely a must-see when you are in the San Francisco/Sacramento area. If you take the time to stop by, you will get inspired! Vital Stats Annual sales - Nursery: $2.7 million Cafe: $900,000 Square footage - Overall property: About 4 acres Outdoor selling space: 25,000 square feet Indoor selling space: 38,000 square feet Parking - 40 spaces Heritage abounds (Below, right) The entrance to High-Hand embraces the premises history in fruit packing and sets the tone for what can be expected inside. (Below, left) The checkout was literally designed around the exact location of the fruit scale, which was placed in its original position and necessitated cutting into the tin roof to accommodate the pecan tree. (Opposite page, bottom right) The Art Gallery, featuring the work of local artists, is cozy and sophisticated. (Opposite, bottom left) The gift area, still under development, features Scott s import items presented within the full splendor of the fruit belts overhead.