Client: University of Central Oklahoma Foundation Completion: April 2015 Scope: 18,000 SF

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Client: University of Central Oklahoma Foundation Completion: April 2015 Scope: 18,000 SF Cost: Awards: $5.75M 2015 Interior Design Best of Year Honoree; 2015 AIA Oklahoma, Honor Award, Commercial Architecture Project Goals: The connection of rowing, art and music contains surprising similarities such as rhythm, flow, and movement. The goal was to create an architectural spirit that embodies the similarities shared by these three disciplines. We hope you see the abstract connections in the architectural form and light. Some connections are quiet and some connections are bold. Imagine a song inspired by rowing. It would be a composition cooler than the far side of the pillow. The river side building prow is marked by gold LED lights emphasizing form inspired by a rowing shell. The concrete platform is within 10 of the river s edge. Design Features: 1. Metal skin to match other boathouses. 2. Windows as notes in a musical score... 3. Jazz Lab stage in the riverside window with the River as the background... Black out shades on glass Removable stage Space remains multi-purpose for meetings and music Performer access 4. Art gallery 5. Jazz Lab at 116 seats 6. Offices, reception, concessions 7. Work out room for 20 erg rowing machines 8. Green Room / small conference Architectural Concept: Connect the beauty, grace and power of rowing with the lyrical notes of jazz music... To create a memorable, one-of-a-kind experience on the River... a destination. Integrate fine art on canvas and paper with the sculptural qualities of the rowing shells combined in an atmosphere filled with emotional sounds... Alchemy The concrete prow provides an elevated view of the river and acts as a barrier for occasional flooding. Jazz Lab: 1. Functions Extension of Edmond Jazz Lab. Imagine using the outdoor terrace seating and the dock as stage for an outdoor concert. Space can be used for business meetings, classroom, athlete training... uses are endless. Must have flexibility of space, storage and lighting.

At 6 am the river is glass as the sun arrives on the horizon. The boathouse floats in the water. The Boathouse District has become a great place for family entertainment & healthy play. 2. Performance space acoustics The concept is to provide an acoustically tunable space to provide a broad spectrum of acoustic environments suited for a variety of performance styles. Space is live with the exterior glass shades in open position. Lowering shades will provide a medium range of sound dampening. Acoustic ceiling pocket shades can be lowered to further dampen the room. 3. Music venue facts Table and chair seating for 120. Cocktail party capacity is 329 (standing). At 6 am the river is glass as the sun arrives on the horizon. The boathouse floats in the water. The Boathouse District has become a great place for family entertainment & healthy play. The boathouse floats in the water. The Boathouse District has become a great place for family entertainment & healthy play. The west elevation illustrates the gold glass notes and the connection between rowing, fine art, and music. Simply summarized as rhythm.

An ATM building becomes sculpture adjacent to the CHK Central Boathouse. The east elevation is parallel to a river inlet allowing rowing shells to access the river via a concrete ramp. The inlet size allows for a 60 long boat to maneuver. The open beam frames Downtown. The gold notes are rhythmically placed on the façade. The sculptural building prow incorporates symbolic lines as if ripples in the water. A surprising overlap of two gold window notes make the interior volume known. The sculptural building prow incorporates symbolic lines as if ripples in the water. The northeast corner of the building and the open frame creates a view to the east starting line. The triangular courtyard is a perfect backdrop for an outdoor concert.

The north entry façade glows like a porch light awaiting guests. The east elevation gets a taste of sunrise. The northeast corner of the building is a structural frame providing memorable views to Downtown. The form suggests power, strength, and buoyancy. Structures are placed close together to create personal scale and interaction between structures. Imagine the buildings as boats racing. Overlapping forms tie the Boathouse District to Downtown. A dusk view of the boathouse and the adjacent playground structure. The northeast wall opening frames last minute views of sunset.

The north façade includes the main building entry and the boat storage entry. The sloping façade suggests movement, ripples, and the flow of water. The north building entry suggests movement and buoyancy as well as compatibility with adjacent boathouses. The open mast identifies the river side ATM location and one direct path to the river. The north façade includes the main building entry and the boat storage entry. The sloping façade suggests movement, ripples, and the flow of water. We have a bank in the Boathouse District. An ATM machine enclosure was created alongside the building entry for public access. A view from the entry canopy illustrates the rhythm of the adjacent structures.

The metal siding appears as ripples of water over the surface. The building has a sidewalk that traces the form connecting the parking and the river. The northeast corner of the building is defined by the picture frame wall and an early morning shadow. The mechanical enclosure on the left provides sculptural protection for systems. It is also one of the best places to backdrop a concert. The building has a sidewalk that traces the form connecting the parking and the river. The metal panels take on the appearance of water running over a rowing shell.

The main lobby has north facing glass. Late afternoon sun creates linear shadows that are referential to rowing, painting, and music (racing lanes, painted lines, and musical instrument strings). No detail is without opportunity. The moiré cable wall, structural members, and Sayl Chair from Herman Miller relate to one another. The building lobby contains all three elements of the architectural concept. This project combines the celebration of rowing, fine art, and music. In the main lobby a wire moiré wall suggests a musical instrument and the illusion of water.

The art gallery and boat storage spaces are placed side by side to illustrate their connection. Track lighting and blue atmospheric lighting create universal space. Rowing, fine art, and music are intertwined within the building. Visual references overlap and connect rowing with music. The Performance Hall overlooks the river. Early morning shards bring energy into the performance space.

The Performance Hall space looking south towards the nose. The river provides a beautiful backdrop for performances. The Performance space atmosphere can be full sun, translucent light, or blacked out. Performers like the stage in the corner. Performance Hall detail of building nose. Ceiling panels provide acoustical tuning and obscure acoustical surfaces.

The Performance Hall looking towards the nose of the building. Shade slits create pencil thin light leaks that form and reflect the interior space. Performance Hall with black out shades down. This illustrates one of three moods the space has. We describe this mood as slivers. Polished concrete floors bring the river inside the space. A gold glass note moves as the sun changes position. As stationary, reflected, and direct light, the gold glass notes add an ever-changing kinetic energy to the space.

Performance Hall looking west with acoustical sound trap wall on right. The polished concrete floor connects the inside to the river outside. One gold glass note is visible. Notes appear, move, change and disappear during the day capturing the kinetic energy within the space. The translucent shades create soft lighting and ghostly shadows along the perimeter edge. The undulating sound trap wall allows the space to be tuned. Blue fluorescent lights add a romantic quality to the space. One gold note is visible. Notes appear, move, change and disappear during the day capturing the kinetic energy within the space.

A ceiling detail in the Performance space shows the acoustical panels and tunable fabric banners as well as the light bar. The west corridor looking north glows after sunset with the blue ceiling night light. The building shell is exposed with the exterior metal skin over a light steel frame. This solution is inspired by the rowing shell construction of fiberglass and aluminum.

The west/secondary gallery corridor provides access to toilets, the green room, and administrative offices. The afternoon sun projects ever-changing gold notes onto the wall. Notes appear, move, change and disappear during the day capturing the kinetic energy within the space. The glass at the floor line suggests the building is buoyant. The afternoon sun projects ever-changing gold notes onto the floor. Notes appear, move, change and disappear during the day capturing the kinetic energy within the space. The glass at the floor line suggests the building is buoyant. The afternoon sun projects ever-changing gold notes onto the wall and floor. Notes appear, move, change and disappear during the day capturing the kinetic energy within the space.

The Boat Storage Room is lighted as if the space is a pinhole camera. One gold note illuminates the entire space. The second floor Erg Room provides training space for aspiring female athletes. The architecture is inspired by rowing shells. In repose the shells are stored upside down to allow drainage and quietly represent strength, power, and the grace of rowing. Openings on the second floor fitness space overlook the west gallery.