- buildings. (Rev. 8-86) NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM. other name/site number: not for publication:

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NPS Form 10-900 (Rev. 8-86) OMB No. 1024-0018 f United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM other name/site number: not for publication: city/town: Glenville vicinity: N/A state: county: Gilmer code: 021 zip code: 26351 3. Classification Ownership of Property: private Category of Property: buildina Number of Resources within Property: Contributing Noncontributing - buildings sites structures objects 0 Total Number of contributing resources previously listed in the National Register: N/A Name of related property listing:n/a

======PPPI*sI===~3P==~r======~X===*=E==t======~===========~s============ ) 4. State/Federal Agency Certification IPX===P3P=fZI===PP=~=======----------------... As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this X nomination - request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional re irements set forth in 36 CFR Part 60. In my opinion, the property _19"meets - does not meet the National Register Criteria. - See continuation sheet. 1 6/947 ( Date State or Federal agency and bureau In my opinion, the property - meets - does not meet the National Register criteria. - See continuation sheet. Signature of commenting or other official Date j State or Federal agency and bureau entered in the National Register - See continuation sheet. determined eligible for the National Register - See continuation sheet. determined not eligible for the National Register removed from the National Register other (explain): Signature of Keeper Date of Action 6. Function or Use )... ~istoric: commerce Current : vacant Sub: financial institution Sub: not in use

------- 't~pii=i'p==di=l=a'p=pii='p3pt*=======pt====:===~==--- ----3--."-- -----f=------- 7. Description ) - ----------- 0190==35*3-----3-1--------------,---- ---------,,---s-----------9"3p===35:==s=====:=============== Architectural Classificatian: Classical Revival/Neo-Classical Revival Other Description: Materials: foundation concrete walls metal roof asnhalt other Describe sheet. present and historic physical appearance. See continuation Applicable National Register Criteria: C Criteria i Areas Considerations (Exceptions) : Significance: Architecture Period(s) of Significance: 1901-1916 Significant Dates : N/A Significant Person(s): N/A Cultural Affiliation: N/A Architect/Builder: unknown State significance of property, and justify criteria, considerations, and areas and periods of significance noted above. See continuation sheet.

United States Department of the Interior National Park Service ) NATIONAL REGISTER OF HISTORIC PtACES CONTfNUATION S#EET Section number 7 Page 1 The Little Kanawha Valley Bank is a simple, rectangular box planned building with a single story. It sits on a low concrete block foundation and has a flat roof. The facade is located on a short end of the rectangle and includes a large, fixed sash window and a canted entrance bay. The single pane door with a transom stands under the roof's corner. A short flight of concrete steps ascends to the entrance. The long side of the building facing the street includes an even arrangement of five double-hung windows. The rear of the building has two bays of windows and the other long side has none. Pressed metal covers all four sides of the bank. Underneath the metal, is a diagonal board frame to which the metal is applied. On three j walls, the sheet metal is designed to look like blocks of stone. The facade, however, is a smooth metal with pilasters flanking the window and door. These pilasters are fluted and have egg and dart capitals. A broad entablature is a false extension of the roofline that surrounds three sides of the building. The ceiling only rises to the base of the entablature so the roofline is actually lower than it appears to be on the exterior. The rear of the building is the only place where the false front is revealed. The entablature includes simple classical detail that defines the building's character. The dentil cornice extends along all three sides. The frieze is blank on the front but displays the bank's name using applied letters. The frieze on the side has an Adamesque swag that extends the length of the side. The Little Kanawha Valley Bank's interior consists of two rooms. The main room occupies roughly two-thirds of the plan. Originally a tellers' cage divided this room but since its removal, the space is completely open. Two horizontal panelled doors open into the back room. Located here were the banker's office and the safe. A small bathroom with partition walls has been incorporated into this room. Tongue and groove horizontal panelling covers the interior walls of both rooms and plywood has replaced the original hard wood floors. Very few alterations have changed the appearance of the bank's turn-of-the-century appearance. Inside and out, the oriainal materials and spaces have been left intact. The only noticeable aiteration- are the ' added bath -and the new iloor. other than this, the building only suffers slightly from disrepair which can be attributed to its age rather than lack of maintenance.

United States Department of the Interior National Park Service ) National Register of Historic Places Continuation Sheet Section number 8 Page 1 The Little Ranawha Valley Bank received its charter in 1901 and its building was built during the same year. In 1906, this institution merged with the First National Bank, together forming the Kanawha Union Bank. The Kanawha Union bank continued to operate in the Little Kanawha Valley Bank building until 1916 when it outgrew the small facility. The building has served various functions since that time and was moved three times but is now situated on a lot roughly a block from its original location. The Little Kanawha Valley Bank is eligible for listing in the National Register of Historic Places under criterion C in the area of architecture. It is architecturally significant for its pressedwmetal material and for its use of classical detail. Pressed metal was a popular building material during the early twentieth century and was probably used widely in West Virginia. The low cost of the material allowed the bank to ) imitate the impressive classical fronts of larger, urban financial institutions. Currently it is one of two pressed metal buildings in Glenville. It will soon be the only one because the other metal building is being remodeled and stripped of its metal. The bank is perhaps the only structure in the entire county that has a pressed metal front with classical detail. The bank's sheet metal exterior is its most notable characteristic. Since the 18th century, American buildings have-displayed ornamentation in a variety of metals. Very little of this decorative metal, however, appearea on typical houses. It was instead reserved for grand houses and large commercial and religious buildings. Technological developments after 1800 led to a greater variety of metals available at a lower cost. Pressed metal provided ornamentation for a relatively low price. It was easy to order through manufacturers' catalogues and was simple to install. Some critics argued that sheet metal elements were nothing but imitations of those fashioned from other materials. The metal's low cost, high quality, and availability guaranteed a ready market, however, and the material became commonplace across the country. One manufacturer, the George L. Mesker Company of Evansville, Indiana, sold hundreds of pressed-metal fronts during the end of the 19th century at the peak of catalogue trade. These facades were made of components which could be combined in a variety of ways allowing variation upon the styles illustrated in the catalogues.

. ( PS Form 10-900) United States Department of the Interior National Park Service ) National Register of Historic Places Continuation Sheet Section number 8 Page 2, Because of sheet metal's availability and low cost, modest buildings like the Little Kanawha Valley Bank could add ornamentation that otherwise would have been impossible. Classical architectural styles proved to be the most popular style for large banks across the county. It added an appearance of stability and strength to those institutions. A cut stone, marble, or even concrete classical structure would have been impractical for a small bank. An inexpensive and durable material like metal, however, allowed smaller organizations to have the same detail without the expense. The Little Kanawha Valley Bank took advantage of this material which gave it the classical detail of the monumental banks but on a smaller scale. j Sheet metal was a ubiquitious material but became less popular after the 1930's. Many buildings that had been covered with metal were stripped of it, allowing the frame structure below to be exposed. The use of metal is currently becoming more popular but those that were originally covered with the material during the tun-of-the-century are few. Although the Little Kanawha Valley Bank has been moved, it still retains its original sheet metal exterior and stands as it appeared in 1901.

( PS Form 10-900) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number 9 Page 1 Chase, David, and Carolyn Laray. Sheet Metal crafts mans hi^: Proaress in Buildinq. Washington, D.C.: National Building Museum, 1988. Gayle, Margot, David W. Look, and John G. Waite. Metals in America's Historic Buildin~s. Uses and Preservation Treatments. Washington, D.C.: U.S. Dept. of the Interior, Technical Preservation Services Division, 1980. Kahn, Eve M. "Architectural Metalwork". Traditional Buildinq. Nov./Dec. 1989. SHPO - survey and technical services files. Wells, Nelson. "Little Kanawha Valley Bank Renovation". The West Virainia State Folk FestivaL, p. 6. Young, Bayard. "Glenville as it Was...As it Is". The Parkersburu News, July 10, 1977, pa 56. ) site visit and conversation with Nelson Wells and Women's Club members, April 30, 1991.

... 9. Major Bibliographical References ====5==='====='===0=I=====t==r:==:==5=f:ae~===~===a===============s======== ) See continuation sheet. Previous documentation on file (NPS): preliminary determination of individual listing (36 CFR 67) has been requested. previously listed in the National Register previously determined eligible by the National Register designated a National Historic Landmark recorded by Historic American Buildings Survey # recorded by Historic American Engineering Record # Primary Location of Additional Data: - x State historic preservation office Other state agency Federal agency Local government - University - Other -- Specify Repository: ====1EllfPP=llfP==I===f=============P=================================== 10- Geographical Data a==-----------... Acreage of Property: less than one acre UTM References: Zone Easting Northing Zone Easting Northing Verbal Boundary Description: - See continuation sheet. The boundary begins on the northwest side of Howard Street where Bank Street and Howard Street meet. The property extends 50' along Howard Street' to the southeast then 'north 20'. The rectangle is completed after extending 50' to the west then 20' to the south. Boundary Justification: - See continuation sheet. The bank's boundaries were determined when the owners moved the building to this location. It is carefully situated on the lot so that it is oriented to the street the same way it was originally. The bank sits the same distance from the street as the other houses and is spaced evenly between them. ~ame/~itle: Stacv Sone, survevor Organization: SHPO Date: Mav 8, 1991 Street & Number: Cultural Center Telephone: 304-348-0240