READING THE LAND: AN INTRODUCTION TO CULTURAL LANDSCAPES

Similar documents
Chapter 19: Cultural Resources

HIST CULTURAL LANDSCAPE PRESERVATION

LANDSCAPE ARCHITECTURE

History as a source for understanding todays landscape Ingrid Sarlöv Herlin, SLU, Sweden

General Terms Property, as used to describe eligibility for the National Register of Historic Places:

Portrait of Place Lesson Plan

REQUEST FOR PROPOSALS. Preparation of National Register of Historic Places. Nominations for the following:

Landscape Architecture - LAND

Required total credit : 43 All graduate students must register one of RES 501, RES 502 or RES 503, RES 504 or RES 505, RES 506 or RES 509, RES 510.

Short Title of the Best Practice: Involving local communities with their own cultural heritage at the Nevado de Toluca

~~-~ ASSESSMENT OF CULTURAL SIGNIFICANCE OBSERVATORY HILL SYDNEY I I I I I. February For Edaw. Prepared by Wendy Thorp

Hampton Park Charleston, SC Designing coherent and acceptable spaces for cultural and social events that also honor the site s history.

Deep Roots: Philosophical Dimensions of Sustainability. Tyra Olstad Department of Geography, Kansas State University

Historic Preservation s Future : Willowbank School of Restoration Arts. Lisa Prosper

TOWN OF AURORA HERITAGE IMPACT ASSESSMENTS AND CONSERVATION PLANS GUIDE

Thailand Charter on Cultural Heritage Management

Landscape. Viewing room # Jake Aikman Ruann Coleman Peter Eastman Ashley Walters

Engaging Aboriginal Communities in Conservation and Management of Cultural Landscapes Experiences from Ontario

Visual Impact Rating Form - Instructions

ISU Department of Architecture. Exchange Program Course Offerings

THE CITY OF LAKE FOREST HISTORIC PRESERVATION COMMISSION LOCAL LANDMARK NOMINATION INSTRUCTIONS

Passport Learning Outcomes and Proficiency Criteria in Human Cultures FINAL

Cotswolds AONB Landscape Strategy and Guidelines. June 2016

WHAT DEFINES A NATIONAL PARK CITY

CONTEXT - What is a Parklet? REQUIRED SAFETY CONDITIONS

CHAPTER THEORETICAL FRAMEWORK

Foreword to the Third + Edition

World Heritage Cultural Landscapes

In 1969, Ian McHarg ( ) published his landmark book Design with Nature. Through

FROM Henry Cary HERITAGE IMPACT ASSESSMENT SUPPORTING INFORMATION AND RESPONSES TO COMMENTS HAMMOND REEF GOLD PROJECT

WHEREAS, a number of these buildings are potentially historic structures;

Yorkshire Sculpture Park Historic Landscape Management Plan. Volume I. July 2010

STATE OF NEW MEXICO DEPARTMENT OF CULTURAL AFFAIRS HISTORIC PRESERVATION DIVISION

Urban Morphology, Identity of Place and Place Identity. Ismail Said SBL3066 Dept of Landscape Architecture UTM 3 rd Dec 2012

SCIENCE AND RESEARCH INTERNAL REPORT NO.75 DATABASES AND THEIR APPLICATION TO MANAGEMENT PLANNING. W. Mary McEwen

Landscape Architecture (L A)

2017 CIDA Standards Infused into Undergraduate Courses

The term Cultural Landscape can be seen as two combining words: culture and landscape.

ANTH 481/NATV 481 Native American Archaeological Monitoring

Research on Landscape Design of Urban Park

Comparative Urban Planning Systems in Poland and the United States

Specification of urban planning regulation in a sustainable city

Archaeological Evaluation and Assessment of Land at Kent Cottage, 19 Chapel Street, Hythe, Kent

Mesa Verde: The History Of The Ancient Pueblo Settlement By Jesse Harasta, Charles River Editors READ ONLINE

Understanding cultural landscapes

DOWNLOAD OR READ : OXFORD CITIES OF THE IMAGINATION PDF EBOOK EPUB MOBI

Exploring the landscape of the Domesday book

SPC GUIDE NAAB 2014 STUDENT PERFORMANCE CRITERIA School of Architecture - University of Arizona NAAB SCHOOL OF ARCHITECTURE

Masato Kametani. Biography. Uconn Alumni Sustainability Profile. By Adam Wesolowski

Tackling Difficult SEQR Topics

Public Art Plan. We have elected to submit Public Art Plans before or concurrently with the CSP Submittal per the FDP Manual

Architectural Reflection on Italo Calvino s Invisible Cities

ENVIRONMENTAL STUDIES AND PLANNING

Building Bridges for Bats Infrastructure, Novelty and a Wildly Integrated Future

Historic England Advice Report 26 August 2016

Landscape Architectural Studies (LARC)

Reading the Driftless Landscape

LAND USE, LAND COVER AND SOIL SCIENCES Vol. IV - Land Use Planning and Managment in Urban and Peri-Urban Areas - H.Vejre

1 Place and the Problem of Landscape

SPECIAL REPORT GRADUATE COUNCIL

TUDOR PLACE HISTORIC HOUSE AND GARDEN TUDOR PLACE FOUNDATION

UNIVERSITY OF MUMBAI

CITY OF MIAMI CEMETERY 1800 N.E. 2 AVENUE

Tool 7 Biophysical reading of the territory

Resolution XII NOTING also that with the increasingly rapid urbanization, wetlands are being threatened in two principle ways:

Ivy Frances, CFM, CEM Chief, Floodplain Management and Insurance Branch FEMA Region One

Case Study of Integrated Housing and Railway Development (Kohoku New Town and Yokohama City Metro Development)

The UK-MAB Urban Forum

LARCH 454 Urban Environmental Histories: Emerging Perspectives SPRING credits Tuesday & Thursday, 8:30-10:20 am GOULD HALL 100

APPENDIX A. Day-by-Day Program of Study and Reading List MESA VERDE NATIONAL PARK AND THE CONSTRUCTION OF PUEBLO HISTORY

TABLE OF CONTENTS HISTORIC PRESERVATION ELEMENT I. INTRODUCTION HP. A. Purpose HP B. Assessment and Conclusions...

Houses on the Forest Edge

2: Bond Street, I.O.F Orphanage

- M A A K - Architectural + Design Solutions. - Company Profile -

AN ARCHAEOLOGICAL SURVEY FOR THE RICHARDS, TEXAS FARM-TO-MARKET ROAD 149 FIBER OPTIC CABLE PROJECT IN MONTGOMERY COUNTY, TEXAS

Landscape Conservation and Sustainable Development

Draft Resolution XII.10

Landscape Architecture (LARC)

2011 ASLA Design Awards

Finding Design: Case Studies in the Creative Process

a) analyze numerous urban economic problems, c) suggest solutions to some current economic problems,

6: 2417 Fourth Line, Sixteen Hollow, Lion Valley Park

North York Moors Local Plan

DUN DORNAIGIL HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE. Property in Care (PIC) ID: PIC289 Designations:

A DRAFT ALLOTMENT POLICY FOR STIRLING COUNCIL

When I first stepped into the Palm House at the Smith Botanical Garden, all of my senses

The APT Bulletin: Susan Buggey and Cultural Landscapes

A REGIONAL HERITAGE STRATEGIC PLAN for OKANAGAN - SIMILKAMEEN

Italian Design: Building Ideas Morgan Taylor

Arkansas River Corridor

Master Planning: Cuba, New York Phase II. Dr. John Anderson President Alfred State College. Alfred New York

WHAT DEFINES A NATIONAL PARK CITY

HERITAGE INTERPRETIVE PLAN

a) buildings, structures and artifacts of historical significance;

AMERICA S MOST ENDANGERED

Energy and sustainable development in traditional architectural concepts of rural settlements West of Iran ( case Uraman Village Bed )

Papua New Guinea University of Technology Department of Architecture and Building. Lesson Plan AR432

2010 Plan of Conservation and Development

HISTORIC SITE FORM - HISTORIC SITES INVENTORY PARK CITY MUNICIPAL CORPORATION (10-08) 1 IDENTIFICATION

INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN COURSE DESCRIPTIONS

Transcription:

READING THE LAND: AN INTRODUCTION TO CULTURAL LANDSCAPES Christian Gerike Anthropological Studies Center Sonoma State University Rohnert Park, CA 94928 ABSTRACT Cultural landscape, the humanly used portion of the earth between ourselves and the horizon, is increasingly of concern in the field of cultural resources management. The study of landscape, fundamentally an endeavor of cultural geography, seeks to describe and explain the elements and patterns that result from human use of the land. Of particular interest to the cultural resources manager is the ubiquitous historical aspect of landscape, from which we can leam about settlements, sequent occupation and land practices, the relationships of social groups, and world views. The challenge to cultural resources management lies in maintaining historic landscape qualities, while addressing presentday land use needs. Introduction The field of Cultural Resources Management (CRM) is becoming increasingly complex, growing during the past 20 years from a field focusing on archaeology to one which addresses a variety of cultural resources. As a profession with a holistic interdisciplinary approach, we work with prehistoric and historic archaeological sites, historical and architectural sites, and traditional cultural properties. Cultural resources managers are now also increasingly being called upon to take cultural landscapes into consideration. The study of landscape is primarily an endeavor of cultural geography. The eminent American geographer Can Sauer, in The Morphology of Landscape(1925), equated the study of landscape with the field of geography. But there is also an eclectic group of scholars from other fields such as history, regional and urban planning, ecology, archaeology, and architecture who are attracted to landscapes. Awareness of historic landscapes in a management context is recent. Though historic preservation and cultural resources management landscape literature dates from the mid 1970s, much of the literature is from the late 1980s to the present (e.g., Andrus 1991; Birnbaurn 1993, 1994; Galbreath 1975; Melnick 1984; Mitchell and Page 1993; and Tishler 1980). As a recently developing topic in CRM outside their own area of expertise, many cultural resources managers may not be familiar with historic landscapes. Following, as an introduction to cultural landscapes, is a review of the definition, elements, and study of landscape. Landscape Defined John Brinkerhoff Jackson, one of the most renowned of landscape scholars, states that a landscape is "a portion of the earth's surface that can be comprehended at a glance" (1984:8). Christopher Salter defines landscape as "that segment of earth space which lies between the viewer's eye and his or her horizon" (Lewis 1985:50). Fundamentally, these and other definitions of landscape address two elements: the world as perceived interacting with the worldout-there. Within this context, the basic aspect of landscape is the human imprint. Landscape can be urban or rural, but not wilderness--without 14

culture there is no landscape. J.B. Jackson writes, "Landscape: a composition of man-made or man-modified spaces" (1984:8). Peirce Lewis emphasizes the ubiquitousness of the cultural imprint: "It is... important to think of cultural landscape as nearly everything that we can see. the fact remains that nearly every square millimeter of the United States has been altered by humankind somehow, at some time" (1979:12). Landscape Elements The landscape consists of a variety of physical elements. Geographer John Fraser Hart has identified three essential landscape elements: (1) landform, (2) plant cover, and (3) the built environment (1975:1-13). The land itself is subject to human a~eration. Terraced rice fields in Southeast Asia and cattle trails on CalHornia hillsides are examples of reshaped land. The land also provides the foundation for vegetation and the built environment. Vegetation can be indigenous or introduced species used for agricultural and ornamental purposes, or species that voluntarily grow in response to lands disturbed by human activity. The built environment includes systems of land division, structures functionally related to the economy, houses, hamlets, villages, towns, cities, transportation networks, ruins, and such smallscale elements as foot bridges, road signs, abandoned machinery, fences, street lights, and cattle gates (Hart 1975:13; McClelland et al. n.d.:5-7). The Meaning of Landscape In the interpretation of landscapes there are numerous perspectives one can take, ranging from aesthetic to environmental to political. Geographer D.W. Meinig, in his article The Beholding Eye: Ten Versions of the Same Scene, identifies the following landscape interpretive themes: nature, habitat, artifact, ideology, system, problem, wealth, place, aesthetic, and history, and he says that, "Ten landscapes do not exhaust the possibilities of such a scene, but they do suggest something of the complexities of the topic" (1979:47). Geographer Yi-fu Tuan interprets landscape using art, architecture, science. culture, and ecology. For Yi-fu Tuan the relevance of landscape is its demonstration of how far we have or have not achieved an ideal and humane habitat (1979:101). Denis E. Cosgrove in Social Formation and Symbolic Landscape takes a Foucaultian perspective, viewing landscape as a social and cultural product that restricts us from seeing alternative modes of experiencing our relations with nature (1984:269). Landscape as History For the cultural resources manager the significance of landscape lies in a fundamental aspect: history. D.W. Meinig describes landscapes as "layers of history" with every landscape an accumulation of the past (1979:43). J.B. Jackson describes the development of the historical landscape well when he states that, "A landscape gradually took form when people moved into a place, did what they could to survive and prosper with the resources at hand... landscapes grew and changed" (1980:114). A landscape reflects those growths and changes, and can be studied as one would a prehistoric site or an old building. In their book Nearby History: Exploring the Past Around You, David Kyvig and Myron Marty identify landscapes as useful in historical studies of the family, communities, and material culture (1982:ix). The historical aspect of the landscape is stated in Peirce Lewis's Axioms for Reading the Landscape: Some Guides to the American Scene: "In trying to unravel the meaning of contemporary landscapes and what they have to 'say' about us as Americans, history matters... a huge part of the common American landscape was built by people in the past, whose tastes, habits, technology, wealth, and ambitions are different than ours today" (Lewis 1979:22-23). There are archaeological, built environment, and material culture implications to 15

this historic aspect of landscapes. As noted in National Register Bulletin 30, "Landscape characteristics are the tangible evidence of the activities and habits of the people who occupied, developed, used, and shaped the land to serve human needs; [reflecting the] beliefs, attitudes, traditions, and values of these people" (McClelland et al. n.d.:3). Reading the Land How does one go about reading landscapes? As J.B. Jackson says, "There is no such thing as a dull landscape... we have but to learn to read it" (1951 :4,5). But, as Peirce Lewis observes, "Like books, landscapes can be read, but unlike books, they were not meant to be read" (1979:12). Fieldwork to record geomorphological, botanical, and human-made features is a beginning point in extracting the past from the landscape (Aston 1985:13-20). By noting the elements and patterns that make up the landscape, the investigator can begin to read the land. The elements of the land and the patterns they comprise can be studied with a material culture approach: study of the artifact in-and-ofitself will result in information. Historian Thomas J. Schlereth includes chapters on landscapes by Peirce F. Lewis in Material Culture Studies in America (1982:174-182), and in Material Culture: A Research Guide (1985:35-56). Schlereth also has a section on landscape as artifact in his book Artifacts and the American Past (1980:145 203). There is more to study than the land and what is found there. To read the land, one also researches complementary info.rmation to contextualize a landscape. Sources of information about the age, origins, nature, uses, and human views of landscape elements include archaeology, maps, and local archival and oral history (Aston 1985:13-20). An excellent example of the use of resources for creating a landscape history is Peter G. Boag's book, Environment and Experience: Settlement Culture in Nineteenth Century Oregon (1992). Boag begins with a paleo-environmental analysis that focuses on the geology, vegetation, and climate of Calapooia Valley in Oregon. He then presents the results of his extensive documentary research of diaries, tax records, business accounts, weather logs, interviews, military reports, and census records, to name just a few of his sources. He combines his field observations with his archival research to discuss the sequential human occupations of the valley, the effects on the land, and the landscape world views of the people occupying the land. The Challenge to CRM Landscapes present a substantial challenge to cultural resources management. Landscapes do not differ from the way other cultural resources are evaluated for significance and integrity as regards a resource's relation to history, people, events, art and craftsmanship, and scientific information, Le. criteria a, b, c, and d of the National Register of Historic Places. Other aspects of landscape, however, pose concerns generally not encountered. One concern to be addressed is that it is the nature of landscape to change, another issue is that a landscape can consist of very large areas, and another concern is that landscapes can be comprised of diverse ownership. It is the nature of the landscape to change. Unlike an archaeological site, but similar to a historic building, the landscape is actively used, and as such changed, by people. While reflecting the past, it is very much used in the present. Two questions to ask are: (a) What will landscape management do to such use? and (b) Is it appropriate to affect changing landscapes? A landscape affects a large area, raising the question as to appropriate management procedures when such large areas and many people within that area can be affected. One and the same landscape can be owned by numerous governmental agencies and/or held in diverse private ownership. To seek management consensus in such a situation is difficult at best. As noted by William Tishler, a major concern to be addressed in the management of multiple-owner landscapes is, 16

"the meaningful involvement of the grassroots citizenry from the diverse cultural landscapes of rural America - a process complicated by their independent nature, special values, and traditions" (1980:28). For urban areas, the problem is just as complicated. Some basic questions need to be addressed. Can we manage historic landscapes? How is the historic landscape to be managed? As a cultural resource, landscapes have the usual cultural resource management concerns. The issue of historic landscape management, however, involves much more. Landscapes are a cultural resource whose management may have far-reaching effects on large areas of land and the daily lives of many people. This is a challenge to which cultural resources management needs to rise. REFERENCES CITED Andrus, Patrick W. 1991 How to Apply the National Register Criteria for Evaluation. National Register Bulletin 15. Interagency Resources Division, National Park Service, Washington, D.C. Aston, Michael 1985 Interpreting the Landscape: Landscape Archaeology in Local Studies. B.T. Batsford, London. Birnbaum, Charles A. 1993 Landscape Preservation Today. In Historic Preservation Forum 7 (3) :6-15. 1994 Protecting Cultural Landscapes: Planning, Treatment and Management of Historic Landscapes. Preservation Briefs 36. National Park Service, Washington, D.C. Boag, Peter G. 1992 Environment and Experience: Settlement Culture in Nineteenth-Century Oregon. University of California Press, Berkeley. Cosgrove, Denis E. 1984 Social Formation and Symbolic Landscape. Barnes & Noble Books, Totowa, New Jersey. Galbreath, Carol (compiler) 1975 Selected Papers: Conference on Conserving the Historic and Cultural Landscape. The Preservation Press, Washington, D.C. Hart, John Fraser 1975 The Look of the Land. Prentice-Hall, Inc., Englewood Cliffs, New Jersey. Jackson, J.B. 1951 The Need of Being Versed in Country Things. Landscape: Human Geography of the Southwest 1(1 ):1-5. 1980 By Way of Conclusion: How to Study the Landscape. In The Necessity for Ruins and Other Topics. The University of Massachusetts Press, Amherst. 1984 The Word Itself. In Discovering the Vernacular Landscape. Yale University Press, New Haven, Connecticut. Kyvig, David E., and Myron A. Marty 1982 Nearby History: Exploring the Past around You. The American Association for State and Local History, Nashville, Tennessee. Lewis, Peirce F. 1979 Axioms for Reading the Landscape: Some Guides to the American Scene. In The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D.W. Meinig, Oxford University Press, New York. 1985 Learning from Looking: Geographic and Other Writing about the American Landscape. In Material Culture: a Research Guide, edited by Thomas J. Schlereth, University Press of Kansas, Lawrence. McClelland, Linda Flint, J. Timothy Keller, Genevieve p. Keller, and Robert Z. Melnick n.d. Guidelines for Evaluating and Documenting Rural Historic Landscapes. National Register Bulletin 30. National Park Service, Washington, D.C. Meinig, D.W. 1979 The Interpretation of Ordinary Landscapes: Geographical Essays. Oxford University Press, New York. 17

Melnick, Robert Z. 1984 Cultural Landscapes: Rural Historic Districts in the National Park System. National Park Service, Washington, D.C. Mitchell, Nora J., and Robert R. Page 1993 Managing the Past for the Future. Historic Preservation Forum 7(3):46-61. Sauer, CarlO. 1925 The Morphology of Landscape. University of California Publications in Geography 2(2):19-54. Berkeley. Schlereth, Thomas J. 1980 Artifacts and the American Past. The American Association for State and Local History, Nashville, Tennessee. Schlereth, Thomas J. (editor) 1982 Material Culture Studies in America. The American Association for State and Local History, Nashville, Tennessee. 1985 Material Culture: a Research Guide. University Press of Kansas, Lawrence. Tishler, William H. 1980 The Role of Historic Preservation in Tomorrow's Rural Landscape. In New Directions in Rural Preservation, edited by Robert E. Stipe. Heritage Conservation and Recreation Service, Washington, D.C. Tuan, Yi-fu 1979 Thought and Landscape: The Eye and the Mind's Eye. In The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D.W. Meinig. Oxford University Press, New York. 18