ROGER TRANCIK finding lost space
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1 ROGER TRANCIK finding lost space Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
2 Finding lost space Trancik relates specifically to the problems of the spatial structure in the modern city An examination of the nature of traditional urban space reveals that these have been lost in most modern cities Resulting in what is referred to as anti space or lost space
3 5 major factors: The automobile The modern movement Urban renewal and zoning policies The dominance of private over public Changes in land use in the inner city
4 The problem of urban design today: Challenges for designers is creating outdoor environments as collective frameworks for development. Too often the designer s contribution comes after the fact in the form of cosmetic treatment of ill defined and badly shaped spaces for public use The usual process of urban development treats buildings as isolated objects sited in the landscape and not as part of the larger fabric of streets, squares and viable open space.
5 Decisions about growth patterns are made from 2D land use plans without considering the 3D relationships between buildings and spaces, and without an understanding of human behaviour. Urban space is seldom thought of as exterior volume with properties of shape and scale and connection to other spaces and therefore what emerges is unshaped antispace
6 Newer concepts of urban design are conceived of as urbanism Urban frameworks rather than master planning of objects in the landscape Making figurative space out of lost landscape and redesigning the lost space Understanding the concept of anti-space as a spatial typology is essential in contemporary urban design practice.
7 What is lost space? Left over unstructured landscape Bases of high-rise buildings Parking lots, train yards etc No-mans land eg. Edges of freeways Abandoned sites Vacant blight areas Remnants after development Deteriorated parks generally lost spaces are the undesirable urban areas that are in need of redesign and antispace making no contribution to the surroundings or users
8 Hayden, Dolores; with aerial photographs by Jim Wark, (2004). A FIELD GUIDE TO SPRAWL, W.W. Nortob & Company, New York, London
9 The automobile Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
10 Modern movement Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
11 Modern movement Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
12 Regaining lost space Public institutions have been unwilling or unable to control the appearance and physical structure of the city which has resulted in the erosion of a public framework and visual literacy among the public. Designers should create site plans that become the generators of context and buildings that define external space rather than displace it. In a successful city well defined outdoor spaces are as necessary as good buildings
13 Developing expertise in urban design Studying historic precedents and the way in which modern space has evolved Developing an understanding of the underlying theories of urban spatial design Developing skills in synthesising and applying these in the design process
14 Trancik, R. (1990). FINING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
15 3 theories of urban spatial design Figure ground theory Linkage theory Place theory The physical spatial structure of the urban landscape must be designed in response to these inter-related theories
16 Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
17 Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
18 Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
19 Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
20 Trancik, R. (1990). FINDING LOST SPACE: THEORIES OF URBAN DESIGN, New York: Van Nostrand Reinhold Company Inc.
21 Place theory Understanding the cultural and human characteristics of physical space SPACE is a bounded or purposeful void with the potential to physically link things, it only becomes PLACE when it is given contextural meaning derived from cultural or regional context Space can be defined by categories or typologies but each place is unique taking on a character consisting of concrete things and intangible cultural associations given by human use over time
22 Place theory People require a relatively stable system of places in which to develop themselves, their social lives and their culture Therefore designed space has an emotional content, a presence that is more than physical Modern cities have failed to create a concept of place Designers have felt compelled to complete every details with no loose ends for transformation by individuals or accommodate changes over time Over design and too much planning are as dangerous as allowing the market place to shape cities in a random, ad hoc fashion
23 Role of designers to respond to and enhance environmental identity and the sense of place to have the humility to look at the historical context to respond to the self-perceived desires of the community to be flexible enough to allow the community present and future to alter its own environment
24 Theory of a living city Designers have become obsessed with one theory of urban design whereas a living city consists of a layering of elements of each of the 3 theories Contextual space is inclusive and multivalent, incorporating fragments of past artifacts, associations and events in a rich and layered blend
25 Eds. Neubauer, H. and Wachten, K. (2010) URBAN DESIGN & THE 20 TH CENTURY ARCHITECTURE, H.F.Ullmann, Potsdam, Germany
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