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1 l i s a d a y e portfolio 2008

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3 p r o f e s s i o n a l p r e s e n t s t u d e n t residence ibiza, spain bet figueras gran via barcelona, spain bet figueras caishpa barcelona, spain bet figueras ferrer bobet catalonia, spain bet figueras barcelona port clemson university 5th year exit nadenicek, hewitt healthy parking clemson university 4th year health studio dr. westphall, chamberlain johnstone site clemson university 3rd year chamberlain graphic representation middleton charleston, sc designworks, llc c o m p e t i t i o n quebec 2008 ephemeral gardens submission l i s a d a y e portfolio 2008

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5 the ibizia residence is located on a sharp cliff overlooking the mediterranean sea. the project consisted of site specifications for a richard serra sculpture that was to be placed on the clients property on the island of ibiza, spain. the sculpture demands a grade fitted carefully to open views over the mediterranean sea and surrounding islands. a number of 3d studies were made to determine the height and distance of the proposed placement of the sculpture. the grass terrace is extended from the residence subtly connecting the sculpture to the outdoor gathering area, continuing the viewing plane to the sea and surrounding cliffs. i b i z a r e s i d e n c e bet figueras

6 the gran via project is located in barcelona, spain a block from the intersecting passeig de grácia and gran via de les corts catalanes. the project proposed an outdoor rooftop garden and interior courtyard. the rooftop garden is intended to be a common outdoor area where the residents of the high rise can enjoy the fresh air without leaving the building. the interior courtyard consists of pendulum planters. These are intended to hang at different levels filling the entire volume of the courtyard.

7 g r a n v i a bet figueras

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9 caispha is located in the heart of barcelona just outside the old city walls. the roof garden surrounded the top floor of the corporate offices and gave a panoramic view of the surrounding city. visual studies of the proposed garden were made with a 3d study of the interior and exterior views. these photo montages exemplified views but did not obstruct the horizon. low grasses with seasonal color were placed in different areas so that there was year round interest. design team: vania lopes, lisa daye c a i s p h a bet figueras

10 ferrer bobet winery is located in the priorat region in catalonia, spain. the terraces climb the hillsides in neat, curving rows that seem drawn onto the land. on the steepest slopes, they are like enormous staircases rising up the valleys. set into the hillside you will find the modern winery. in this exercise we wanted to isolate the curving contours, existing vegetation, and the man made objects. from this analysis we were able to determine what areas to accentuate with vegetation from outlying roads and distant views. the concept was to have the architecture placed lightly on the landscape by providing natural setting, while creating thresholds to announce certain areas along the sinuous road leading to the destination. team: sara machado, lisa daye

11 f e r r e r b o b e t bet figueras

12 TO SUMMERVILLE W I N T E R F A L L MIDDLETON PLACE ASHLEY RIVER RT 61 TO CHARLE THE BENCH HOME SITE GRAVE SITE HOME SITE MOUND S P R I N G S U M M E R RICE MILL CHIMNEY FOUNDATION SUITABILITY ANALYSIS Most Suitable Area for Settlement Least Suitable Area for Settlement

13 MEAD WESTVACO RHODES WATSON HILL MIDDLETON CARTER MILLBROOK WHITFIELD HWY 61 I-26 middleton woodlands is located 15 miles north of charleston, sc, along the ashley river. the 5,000 + acre site lies adjacent to the middleton place plantation, one of the most prevalent landscapes of our history. the property includes cultural landmarks such as; native american burying grounds, rice chimneys, cypress swamps, ect. our task was to assess these cultural and environmental factors to establish a primary easement line with an additional easement to come. POPLAR GROVE CUTHBERT Glenn McConnell HWY 526 through our evaluation of the land we created a suitability analysis to determine the placement of the first easement line, protecting the grounds from any development. the easement was also to take part in a regional context connecting bordering easements and defying the fast growth in the areas outside of charleston. m i d d l e t o n w o o d l a n d s designworks lc

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15 barcelona is a city with unusual and distinctive features that contribute to its particular character and personality. the city lies on a coastal plain constrained by the collserola hills and the rivers llobregat and besos. the topographic restraints have produced a dense urban core inhabited by more than four million people, which is configured as one of the richest and most active areas in Europe. the city has consolidated into a dynamic center, one with industrial roots, but progressing toward multinational investments. In the last two decades the city has undergone a transformation more radical than any other city in western europe. one central theme to this transformation was the renewal of neglected areas. barcelona has incorporated past and present within its architecture and its landscape, even at times reverting back to barcelona s first plan, cerda s grid. in 1859 ildefons cerda had devised a plan for the city which holds much precedence today. his central aim was to alleviate overpopulation and encourage social equality by using building controls limiting height as well as a garden in every block. although his plan has been altered many revert back to his rationalist ideas, as they did when designing the 1992 olympic village. culture is also apparent within the landscape and the architecture, both historic and modern, throughout barcelona. the city has always held a strong sense of place, with unique and local characteristics. the goal of this project is to continue this growth and expand the positive interaction of cultures within barcelona. the new port entrance is a part of an expansion of the industrial areas, and rerouting of the Llobregat river. the challenge is to build on Barcelona s liveliness while providing mix-use areas focused on residence, marine area, and a civic center. useing these layers of the urban fabric the design begins to embrace barcelona s distinguishing character and personality. b a r c e l o n a p o r t nadenicek, hewitt

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17 by extending ildefon cerdas grid over the new port we are enhancing his rationalist ideas of his time by altering the grid to our new social needs and new land uses. by using the void of the street as an area to develop structures we are relieving the density of the grid and are opening the interior areas as the primary area for functions. these open areas are based on a standard size that is pedestrian scale to promote social interaction between visitors and residents of barcelona. also by using the street void as area to build we are motivated to link the adjacent open areas forcing connections between the architecture and the landscape. each open space holds a distinctive characteristic that defines the area and creates a network throughout the new port. the heart of this network exist an organic feature which juxtaposes the uniform grid breaking the regularity. the interaction of the grid and the unrefined has been the distinct quality that barcelona architecture and planning are known for. rchitecture and planning has been known for. b a r c e l o n a p o r t nadenicek, hewitt

18 the new port provides a prime location for residential, hotel, marina and a music venue. the adapted grid and the limited height controls on the residential buildings are intended to make the port more approachable, and less overwhelming to visitors and residents. an innovative approach to architecture would be used for the marina and music venue to extend barcelonas already intriguing collection of modern works. all buildings in the new port will consciously exert awareness for the land and the open space in which they inhabit making connections between the built and the natural. each plaza is broken into a smaller grid in agreement to the social needs, urban land uses, and ecological features that surround the area. variations in the size of parts to a grid starts to define different spaces and what occurs within them. the pedestrian can then identify hierarchy of spaces, changes in movement, and connections to adjacent spaces. the new port also uses the grid to demonstrate its interaction with its natural features, and how the grid merges with the tides of mediterranean sea.

19 b a r c e l o n a p o r t nadenicek, hewitt

20 wind and water are just two natural features that were taken into consideration when studying the port of barcelona. with tide and wind research we were able to combine certain layers of historic and social aspects of barcelona with environmental concerns of specific site by using study models. these study models symbolized the wind patterns of the new port and correlated with the symbolism of gaudi and the manipulations of sculptural form in sagrada familia, the heart of barcelona. barcelona

21 b a r c e l o n a p o r t nadenicek, hewitt

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23 healthy, mature trees can provide meaningful canopy cover(j.caldwell, 2003). trees and a well lit area can provide for a buffer between vehicular traffic and pedestrian traffic, making safe travel. pedestrian walkways funnel into the center between the parking rooms. the walkways then proceed in a sinuous curve down to the social gathering area, where teachers, students and faculty have the opportunity to sit, relax, wait, talk, or even escape from the stresses that college can provide. the problem statement consisted of a healthy parking lot behind lee hall, clemson university. earth friendly concepts, relationships to human life, a variety of drawings, and accurate citations are to be included two weeks were allotted. healthy parking would consist of a safe, clean environment in which every student, teacher, and faculty can be healthy and productive within it. the design consists of a series of rooms, made to enhance the everyday burden of parking in a lot which contains nothing more than asphalt and light fixtures. these rooms are designed to connect with one another, making a more personal atmosphere, along with being environmentally conscience. a balance between physical, mental, and spiritual well-being is symbolized with the three circles balanced to form a triangle in the center of a social gathering area. the parking areas provided will consist of pervious surfaces that allow oxygen and water movement into the soil; sub-surface preparations are made in order to allow that movement to occur(j.caldwell,2003). h e a l t h y p a r k i n g dr. westphall, chamberlain

24 the johnstone site is a temporary landscape installment that embraces the foundation of the removed johnstone resident hall. johnstone had been known for its innovative architecture of its time, but is since outdated and run down. the installment radiates from the corner of the johnstone footprint in concentric circles representing a rain drop. the land undulates throughout the site in waves, symbolizing the effects that education, the core, has on the rest of our lives. three main routes are located according to circulation, connecting the adjacent sites. at these three points are educational thresholds informing the pedestrians about the history of clemson and of the removed johnstone residence hall.

25 j o h n s t o n e s i t e chamberlain

26 architectural rendering 2003 prof. harry harritos

27 construction documents 2005 gldi competition rendering 2006 bet figueras g r a p h i c r e p r e s e n t a t i o n black + white

28 landscape rendering 2007 collaboration with walter hood and designworks, lc.

29 landscape/architecture montage study abroad program bcn g r a p h i c r e p r e s e n t a t i o n color

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31 q u e b e c e p h e m e r a l g a r d e n s s u b m i s s i o n m.leverant, m.bauld, l.daye

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