Classics 170B: Module V
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1 Classics 170B: Module V LEISURE (continued) Forum Baths (continued) 5.1 (1903) Apodyterium of women s section; mosaic floor depicting Triton. 5.2 (853) Plan of Central Baths, Pompeii. (The building was never completed.) 5.3 (2038) Bath accessories: strigil and oil container. WORK 5.4 (1938) Mill and bakery in Pompeii. Compare the design of the House of Pansa, with its bakery area. 5.5 (1669) Mill and bakery in Pompeii. 5.6 (284) Mill and bakery workers. 5.7 (215) Shop and counter, Pompeii. 5.8 (2094) Asellina s Tavern: entrance door to the tavern and painted sign still visible on the façade. 5.9 (1901) Artist s representation of shop and counter; public fountain (2087) Fullery of Stephanus, Pompeii (1608) Cleaning vat in fullery of Stephanus (1670) Vats in fullery of Marcus Vesonius Primus, Pompeii (811) To the left of the slide is the exterior of two textile factories in Pompeii. Graffiti in the factories indicate that the looms were on the second floor, and the products were sold in shops on the ground floor (812) Artist s representation of street with textile factories.
2 Classics 170B Module V 2 HOUSING 5.15 (2.5) View south towards Nocera Gate. Note the uninterrupted, solid walls of houses. These walls were once covered with stucco and paint (137) View of Mercury St. from Tower XI looking south towards the Arch of Caligula and the Forum. Again note the uninterrupted, solid house walls (280) Artist s representation of a street in Pompeii, with entrances to houses and shops. Note windows, stucco and paint (2088) Exterior of House of Sallust, Pompeii (76) Artist s representation of the exterior of the House of the Tragic Poet, Pompeii. Note the roof, and the height of the windows (1988) Drawings of early style and later style Roman houses (437) Plan of the House of the Surgeon, Pompeii, an early style of Roman house (FH.16) House of Sallust, Pompeii, an early style of Roman house. View through the tablinum to the garden (370) Drawing of a Roman house as seen from above. Note the atrium and peristyle areas, and the tile roof (148) Cross-section drawing of a Roman house (718) Drawing of a Roman house as seen from above; later style of house. Note the atrium and peristyle areas. House Plans 5.26 (36) Plan of the House of Pansa, Pompeii. Note the rented rooms, shop and bakery areas. (N.B., the tablinum has been erroneously labelled as shrine, and the vestibulum seems to extend beyond the ianua.) 5.27 (438) Plan of the House of the Faun, the largest house in Pompeii. Note the two atria and the two peristyles (429) Plan of the House of the Vettii, Pompeii, which also had two atria (427) Plan of the House of the Tragic Poet, Pompeii.
3 Classics 170B Module V (713) Sketch of the house (or urban villa) of Loreius Tiburtinus (also called the House of Quartio), Pompeii. Entry Ways 5.31 (1114) House of Loreius Tiburtinus, Pompeii: the vestibulum and janua. Note the wall construction, remains of stucco, street pavement and sidewalk (1133) House of Pansa, Pompeii: vestibulum and fauces. View into the atrium, with the columns of the peristyle beyond. Note the opus quadratum corners (379) House of the Faun, Pompeii: mosaic on the threshold (opus signinum). Latin: HAVE (=AVE). English: Welcome, Hello (206) House of the Tragic Poet, Pompeii: mosaic of vestibulum. Latin: CAVE CANEM. English: Beware of dog (714) Plan of the Samnite House, Herculaneum (1266) Samnite House, Herculaneum: exterior wall and vestibulum (the doors are modern). Note the stucco and paint over the opus reticulatum facing. Atria 5.37 (966) Samnite House, Herculaneum: fauces, first-style painting, Tuscan atrium, compluvium, impluvium, opus signinum (1955) House of the Vettii, Pompeii: large Tuscan atrium, with view toward peristyle. There was no tablinum between the atrium and the peristyle (FH.17) Atrium of the House of Menander; view from peristyle to door. Lararium in front corner of slide (1119) House of the Silver Wedding, Pompeii: tetrastyle atrium, Corinthian columns, with view toward the fauces and janua. Note the interior wall painting (1918) House of the Silver Wedding, Pompeii: artist s representation of the tetrastyle atrium, with view toward the tablinum and peristyle (827) House of the Telephus Relief, Herculaneum: Corinthian atrium, Doric columns.
4 Classics 170B Module V (828) House of the Telephus Relief, Herculaneum: artist s representation of atrium (2.32) House of the Vettii, Pompeii: lararium in the smaller atrium. Note the lares, genius and snake (3.2) House of the Faun, Pompeii: lararia located at the back of the second peristyle (740) Bronze statue of a Lar, found at Herculaneum; about one foot in height. He is carrying a wine bucket (situla) and waving a sheaf of wheat (2155) House of the Faun: atrium, impluvium with statue of faun; view toward the tablinum and, behind that, the peristyle. Note the remains of pilasters at the entrance to the tablinum. Note also the tablinum window, and columns of the peristyle (2063) House of the Faun: artist s representation of the atrium. Note the first-style painting, the Tuscan atrium roof construction, the rooms off the atrium, the alae (2122) Bronze statue of the faun close up (1024) House of the Faun: tablinum; statue of the faun (in the atrium); tablinum window ; peristyle columns (1954) House of Sallust, Pompeii: atrium, with view toward the tablinum, and the garden area beyond (an early style house). Note pilasters at the entrance to the tablinum; conpluvium and impluvium (2008) House of the Tragic Poet, Pompeii: artist s representation of the atrium and tablinum, with view through the tablinum window to the peristyle. note the passageway (andron) leading from the atrium to the peristyle. Note also the lararium in the peristyle, lamps and lamp-holder, roof, ceiling and floor (2082) House of Menander, Pompeii: view from the atrium into the tablinum (1951) House of Menander, Pompeii: view from the atrium into the tablinum and peristyle beyond. (There is no tablinum window. ) Note the wall painting, and the paint on the column.
5 Classics 170B Module V (705) House of the Wooden Partition, Herculaneum. A wooden screen or partition, used to separate the tablinum from the atrium, miraculously survived the destructive forces of nature and time. Note the opus signinum floor, and the opus incertum facing on the upper wall (FH 16) House of Sallust, Pompeii: in tablinum looking back to entry way. Note 1 st style painting on wall (2119) House of Pansa, Pompeii: atrium looking through tablinum to peristyle. Peristyles 5.58 (2121) House of the Golden Cupids, Pompeii: peristyle. Note the Doric columns of the portico, the fountain in the center, the dramatic masks hanging from the portico, and the stage area at the rear (2153) House of the Golden Cupids: peristyle (2120) House of the Golden Cupids: peristyle and portico (1600) House of the Vettii, Pompeii: peristyle and portico (1956) House of the Vettii: peristyle. Note the Corinthian columns of the portico (177) House of the Silver Wedding, Pompeii: Rhodian peristyle, Doric columns (1599) House of Menander, Pompeii: view from the rear portico of the peristyle, looking toward the atrium area (2009) House of Menander: view toward the rear of the peristyle (1604) House of Venus, Pompeii: peristyle. Note the painting of Venus at the rear of the peristyle (1605) House of Venus: painting of the goddess Venus in a seashell (2064) House of the Faun: view from the larger peristyle at the back of the house (where the Doric columns and lararia are), toward the smaller peristyle with Ionic columns. (A plan of this house is in Module V, #27) (1606) House (or urban villa) of Loreius Tiburtinus (or Quartio): view from the pergola area east toward the nymphaeum and the
6 Classics 170B Module V 6 paintings of Narcissus and of Pyramus and Thisbe. To the left of the slide is a small peristyle. (A sketch of this house is in Module V, #30) (1502) Paintings of Narcissus (left) and Pyramus and Thisbe (right) (1112) House of Loreius Tiburtinus: view from the house to the sloping marble-lined water channel or canal. Note the terraces, trellises and garden. Side Rooms 5.72 (985) House of the Bicentennary, Herculaneum: a room off the atrium. Note the opus incertum facing, the stucco, third-style painting, and vertical and horizontal panels (2.34) House of the Labyrinth, Pompeii: a room off the peristyle. Note the second style painting and the vaulted ceiling (2.35) House of the Labyrinth: a room (oecus) off the peristyle. Note the second-style painting and the vaulted ceiling (1667) House of Menander, Pompeii: rooms at the back of the peristyle; painting of the Greek comic poet Menander. (See close up of Menander at Module VI, #38) (2080) House of Menander: one side of peristyle containing niches (2030) Kitchen and kitchenware in a Herculaneum house (1953) Kitchen in a Pompeii house. Note the lararium, pot and pot stand (3.3) House of the Faun: ceramic water pipes (1140) House of Ephebe, Pompeii: triclinium with restored couches; fourth-style painting. END OF MODULE V HOUSING CONTINUED IN MODULE VI
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